House post figures flank a door frame in Montréal

Detail of a house post figure in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

Detail of a house post figure in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

Detail of a house post figure in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

Detail of a house post figure in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

House post figures flank a door frame in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

Portrait of a woman identified as Betty Wilson at Haida or Bella Bella, BC

Portrait of a woman identified as Betty Wilson at Haida or Bella Bella, BC

Painting equipment on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

The caption on this slide simply states "Coast Salish." A possible second caption on a sheet of paper states "Alert Bay Big House." A unique aspect of this house is that what once were interior house posts have been moved to the exterior of what was likely a later structure. This photograph may have been used in a book by Marius Barbeau or Edward Linnaeus Keithahn.

Totem poles standing in Totem Park. The second pole from the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Workers carry a totem pole, wrapped in padding, from its position in Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Workers unloading totem poles from a trailer outside the Museum of Anthropology as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.

A totem pole lying on the floor of the Museum of Anthropology as it is being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.