- 4-02-a033628
- Item
- [192-?]
Part of Eric Parker fonds
Item is a negative showing a Gyantse Fort, located on the top of a rocky spur. There are smaller buildings at the bottom of the spur.
54 results directly related Exclude narrower terms
Part of Eric Parker fonds
Item is a negative showing a Gyantse Fort, located on the top of a rocky spur. There are smaller buildings at the bottom of the spur.
Part of Eric Parker fonds
Item is a negative showing Gyanste Jong from a distance.
Part of Eric Parker fonds
Item is a negative showing Gyanste Jong located at the top of a spur from a distance.
Part of Eric Parker fonds
Item is a negative showing Gyanste Jong located at the top of a spur from a distance.
Part of Eric Parker fonds
Item is a negative showing a busy marketplace in Gyantse. There are mountains in the background.
Part of Eric Parker fonds
Item is a negative showing a close up of a busy marketplace in Gyantse.
Part of Eric Parker fonds
Item is a negative showing Gyantse village from above. The town's monastery is visible in the centre of the image.
Gyantse, New Changlo (OC's quarters on right)
Part of Eric Parker fonds
Item is a negative showing a head on look of the village of Gyantse. Gompa monastery can be seen in the background. There are mountains in the distance.
Gyantse, Old Changlo (English fort) OC's quarter
Part of Eric Parker fonds
Item is a negative showing a bird's eye view of the village of Gyantse. There are mountains in the distance.
Hakka Mountain songs and laments collection
Collection consists of six compact discs with recordings of Hakka Mountain songs and laments, sung by Mrs. Yau Chan Shek-ying in 1976, along with accompanying documentation. Documentation includes lists of recordings with song descriptions, song translations/transcriptions, a photograph and bio of the singer, and articles collected by Elizabeth Lominska Johnson. The songs were sung in an older dialect of Hakka. Song types include marriage laments, mountain songs, and funeral laments.
Hakka mountain, or Hakka hill songs, are rural songs sung in the Hakka language by the Hakka people of Southern China. The songs vary in theme/subject, and exist as a kind of oral literature and/or communication at a distance.
Elizabeth Lominska Johnson
Part of MOA General Media collection
Display for the exhibit "Japanese and Chinese Art and History." Shows implements of Japanese calligraphy as well as cups, bowls, and small paintings.
Part of MOA General Media collection
Display for the exhibit "Japanese and Chinese Art and History." Shows examples of Japanese calligraphy.
Part of MOA General Media collection
Display for the exhibit "Japanese and Chinese Art and History." Shows implements of Japanese calligraphy as well as cups, bowls, and small paintings.
Part of MOA General Media collection
Display for the exhibit "Japanese and Chinese Art and History." Shows examples of Japanese calligraphy.
Japanese Calligraphy and Painting: 2 Branches of the Same Art
Part of MOA General Media collection
Display for the exhibit "Japanese and Chinese Art and History." Shows examples of Japanese calligraphy and painting.
Japanese Calligraphy and Painting: 2 Branches of the Same Art
Part of MOA General Media collection
Display for the exhibit "Japanese and Chinese Art and History." Shows examples of Japanese calligraphy and painting.
Japanese Calligraphy and Painting: 2 Branches of the Same Art
Part of MOA General Media collection
Display for the exhibit "Japanese and Chinese Art and History." Shows examples of Japanese calligraphy and painting.
Japanese Calligraphy and Painting: 2 Branches of the Same Art
Part of MOA General Media collection
Display for the exhibit "Japanese and Chinese Art and History." Shows examples of Japanese calligraphy and painting.
Lady and Gentleman of Okinawa: 19th Century
Part of MOA General Media collection
Display for the exhibit "Japanese and Chinese Art and History." Shows two dolls, one of a man and one of a woman.
Langmann Family Photograph collection
Collection consists of five albums of photos from Meiji period Japan including a few photos from Scotland, one album of photos from China, and two lacquer-framed photographs. It consists mostly of albumen hand-coloured Japanese photographs. These Japanese photographs belong to the genre known as souvenir photography or Yokohama photography. The subject of these photographs in this collection echoed those found in the Japanese ukiyo-e prints of the so-called “floating-world” of the late Edo Period, from around 1780 until the 1860s. The delicate hand colouring of the albumen silver prints is one of the characteristics of photographs of Japan from this period.
There were mainly two media to disseminate souvenir photos from Yokohama during Meiji period (1868 –1912): photo prints and lantern slides (see the James Davidson collection), but other materials were also used. These hand tinted photo prints were usually bound in albums with lacquer covers lavishly decorated in makie (蒔絵), a technique of applying adhesive metal such as gold and silver or colour powder in soft lacquer to create designs.