- 25-03-11
- File
- 1971-1972
Part of Anthony Carter fonds
File consists of images of scenery and people of the Nootka Sound area on the west coast of Vancouver Island, BC.
Anthony Carter
17 results directly related Exclude narrower terms
Part of Anthony Carter fonds
File consists of images of scenery and people of the Nootka Sound area on the west coast of Vancouver Island, BC.
Anthony Carter
World's tallest totem pole, carved by Mungo Martin, Beacon Hill Park, Victoria, B.C.
Part of E. Polly Hammer fonds
Vickie Jensen and Jay Powell fonds
Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh
Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.
The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.
Fonds consists of 13 series of records. Series are arranged according to community and/or project.
Vickie Jensen and Jay Powell
Vancouver International Airport Musqueam Welcome Area
Image of the Vancouver International Airport Musqueam Welcome Area. The image may have been taken at the opening celebrations.
File contains images of Tsimshian artifacts housed in museums in British Columbia and in what is now known as the Canadian Museum of History. The file also contains images of Tsimshian villages along the Nass River, and historical photos of Tsimshian peoples.
Tsilhqot'in/Secwepemc/Stl'al'lmx/Nlaka'pamux
The majority of the file contains historical images of the Tsilhqot'in, Secwepemc, Stl'al'lmx, and the Nlaka'pamux peoples. The photographs depict village life, including images of building structures in the BC interior, fish processing techniques such as fish drying, and carvings such as mortuary poles. Some of the images also depict First Nations people, some in regalia. The other images are official photographs taken by various museums in Canadian and American museums of Tsilhqot'in, Secwepemc, Stl'al'lmx, or Nlaka'pamux artifacts. The textual records contained in this file consist of a photocopy of a magazine article titled "Upstairs, downstairs: the early years," written by Heather Pringle, and published in the June 1996 (Volume 111, number 5) edition of the magazine Saturday Night.
Part of Anthony Carter fonds
Image of an old totem pole at the Mamalilikulla village, Village Island. The pole is being held up by a rope.
Anthony Carter
Totem pole, Ehattesaht, Esperanza Inlet
Part of Anthony Carter fonds
Image of a totem pole at the Ehahsitaht Village site. A similar image is printed on page 117 of Carter's book "From History's Locker," with the caption: "From the cliff above the village site of Ehahsitaht the figures of this solitary totem look out on Esperanza Inlet."
Anthony Carter
Part of Anthony Carter fonds
Image of a totem pole at the Ehahsitaht Village site.
Anthony Carter
Part of Anthony Carter fonds
Image of an unidentified totem pole in Alert Bay.
Anthony Carter
Part of Anthony Carter fonds
Image of an unidentified totem pole in Alert Bay. A cross stands in the ground next to the pole, possibly indicating that this is a gravesite or graveyard.
Anthony Carter
Part of Anthony Carter fonds
Image of an unidentified totem pole in Alert Bay.
Anthony Carter
Part of Missionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of a totem with a building in the background and a boat in the foreground with low tide. Based on the original order of the collection, photograph might have been taken in Alert Bay.
Part of MOA General Media collection
Detail of a totem pole said to be standing in Kispiox. This image may be from a book by Marius Barbeau or Edward Linnaeus Keithahn.
Part of E. Polly Hammer fonds
This pole was on display at UBC in Totem Park in the 1960’s and 1970’s and moved to the Museum in the late 1970’s. It was carved in 1914 in Tsaxis (Fort Rupert) by George Hunt Sr. for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was collected by Marius Barbeau and Arthur Price in 1947. The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Iconography: Kolus is a young thunderbird. Thunderbird is a supernatural bird identifiable by the presence of ear-like projections or horns on the head, and a re-curved beak. The pole alludes to the story of Tongas people in south Alaska, who migrated south.
Top of tallest pole, carved by Mungo Martin, Beacon Hill Park, Victoria, B.C.
Part of E. Polly Hammer fonds
The majority of this file contains historical images of the Tlingit and Tahltan First Nations and their respective villages. The other images are of Tlingit or Tahltan artifacts housed in various museums in Canada and the United States. The historic images are of Tlingit or Tahltan villages which include images of Northwest Coast architecture, houses posts and totem poles, canoes, and other household items such as bowls, weavings, and bentwood boxes. There are also some images of the Tlingit people in regalia. The textual records contained in this file is a paper titled "The History of the Babine Carriers," written by Wilfred Adam for the class Education 479, Cross Cultural Education.
Part of Harry B. Hawthorn fonds
Part of Harry B. Hawthorn fonds
Tallest totem pole, carved by Mungo Martin, Beacon Hill Park, Victoria, B.C.
Part of E. Polly Hammer fonds