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Parte de Virginia Kehoe fonds
Image depicts a carver, possibly Godfrey Hunt, working on a partially carved totem pole. Depicted images include a Thunderbird and a figure holding a copper. This may be the St. Catherines. Ontario Centennial Confederation pole, carved in 1967.
Parte de Virginia Kehoe fonds
Image depicts Doug Cranmer in the early stages of carving a totem pole. Cranmer squats on one side of the pole while another man stands on the opposite side.
Parte de Virginia Kehoe fonds
Image depicts the top portion of what may be a small scale totem pole. The image depicted seems to be a Thunderbird, painted in black, white, red, green, and gold. There is another figure below this, but it is not discernible in this photo.
Parte de Virginia Kehoe fonds
Image depicts carving a canoe outdoors. The carver depicted may be Godfrey Hunt, who assisted Douglas Cranmer with the Nootka canoe.
Parte de Virginia Kehoe fonds
Image depicts a partially completed wood carving, possibly a canoe. Photo has been taken inside and shows woodworking tools. It is hard to distinguish what the carving is.
Parte de Virginia Kehoe fonds
Image depicts a carver, possibly Douglas Cranmer, working inside on what may be a canoe. Image is dark and it is difficult to see what he is doing.
Parte de Virginia Kehoe fonds
Image depicts a carver, possibly Douglas Cranmer, working inside on what may be a totem pole. The carving is still in the early stages and it is difficult to tell what will be depicted.
World's tallest totem pole, carved by Mungo Martin, Beacon Hill Park, Victoria, B.C.
Parte de E. Polly Hammer fonds
Parte de William McLennan (MOA Curator) fonds
This file contains images of Coast Salish and Kwakwaka'wakw artifacts. Many of the photos are official photographs taken by various museums in Canada and the United States, but others are historical photos. These artifacts include masks, rattles, carvings, fishing equipment and fish processing, canoes, and North Coast architecture, such as long houses and house posts.
Miscellaneous totem pole images
Parte de Anthony Carter fonds
File consists of images of totem poles and other carvings, some of which were taken at the University of British Columbia. The others are unidentified.
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From all over the place, raising totem in Alert Bay
Parte de Anthony Carter fonds
Image of a totem pole in Alert Bay, BC, at the grave of the Kwakiutl Chief Mungo Martin. The pole was carved to honor the Chief. This image shows the pole right after it has been raised, with the ropes used to raise it still attached. Additional information and images of this pole are featured on pages 28-33 of Carter's book "From History's Locker."
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Chief Mungo Martin memorial, pole raising
Parte de Anthony Carter fonds
Image of the top of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave.
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Chief Mungo Martin memorial, pole raising
Parte de Anthony Carter fonds
Image of the raising of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave.
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Alert Bay, cemetery and totem pole
Parte de Anthony Carter fonds
Image of totem pole and cross gravestones, with forest in the background.
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Parte de Anthony Carter fonds
Image of an unidentified totem pole featuring two creatures - a winged animal on top and what appears to be a human figure with raised arms on the bottom. Gravestones are visible in the foreground.
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Workers prepare to move a totem pole
Parte de MOA General Media collection
Workers use a scaffold to cover a totem pole in padding while a trane prepares to lift it. It is in the process of being moved from Totem Park to the New Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
A totem pole hanging horizontal from a crane
Parte de MOA General Media collection
Workers oversee moving a totem pole as it hangs horizontally from a crane. It is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Two totem poles on a truck trailer
Parte de MOA General Media collection
Two totem poles lie on a truck trailer as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.
Workers unloading totem poles from a trailer
Parte de MOA General Media collection
Workers unloading totem poles from a trailer outside the Museum of Anthropology as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.