- 11-01-a032652_3
- Item
- [ca. 191?]
Part of Robert Reford fonds
Item is an image of a village along the coast. According to annotations, the photograph is of the Hudson Bay Company post in Rigolet, Newfoundland and Labrador
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Part of Robert Reford fonds
Item is an image of a village along the coast. According to annotations, the photograph is of the Hudson Bay Company post in Rigolet, Newfoundland and Labrador
Part of Robert Reford fonds
Item is an image of a settlement by a shore. According to annotations, settlement was the Hudson's Bay Company Post at Norway House, Manitoba
Part of Robert Reford fonds
Item is a n image of two buildings. According to annotations, the buildings are part of the Hudson's Bay Company post at Kimmirut (former Lake Harbour) in the Qikiqtaaluk Region, Nunavut
Part of Robert Reford fonds
Item is an image of a building by a harbour taken from the sea. According to annotations, the building is the Hudson Bay Company Post in Cartwright
Part of Robert Reford fonds
Item is an image of a several buildings along the coast. According to annotations, the building is the Hudson Bay Company Post in Cartwright
Part of Robert Reford fonds
Item is an image of a building by a harbour with four people are building a wooden footbride. According to annotations, the building is the Hudson Bay Company Post in Cartwright
H.B.C. Fort Simpson - Established 1831
Photograph of an illustration of H.B.C. (Hudson's Bay Company) Fort Simpson
Part of Robert Reford fonds
Item is an image of a shore with a boat and a person standing by it. According to annotations, photograph was taken on the Hayes River between York Factory and Norway House, Manitoba. Item is same image as item a032718
Part of Robert Reford fonds
Item is an image of a river with one person standing by the hedge. According to annotations, photograph was taken on the Hayes River between York Factory and Norway House, Manitoba
An image of a drawing by the Kyuquot Elementary School children titled "Having Fun".
Part of MOA General Media collection
Cedar bark hats on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Part of MOA General Media collection
Hat on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Part of MOA General Media collection
Hat on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Part of MOA General Media collection
Hat on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Part of MOA General Media collection
Hat from the Museum of Anthropology on display in Montréal for the Northwest Coast exhibit for "Man and His World."
Hat and photographs on display in Montréal
Part of MOA General Media collection
Hat and photographs on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Village of Hartley Bay on waterfront at the base of a heavily wooded mountainside
Harry Hawthorn and an unidentified man
Part of MOA General Media collection
Harry Hawthorn and an unidentified man holding a house post figure. This photograph was likely taken around the time the object was acquired, in 1948.
The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with Indigenous communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.
Harry Bertram Hawthorn
Fonds consists of photographic prints and text labels used in the “Emergence from the Shadow: First Peoples’ Photographic Perspective” exhibit at the Canadian Museum of Civilization, from October 22, 1999 to January 6, 2002. The images depict several different First Nations groups including Haida, Kimsquit, Bella Coola, Ulkatcho-Carrier, Chilcotin, Assiniboine, and Gitksan. The label text incorporates information which Smith recorded at the time of creation. It gives name and age (if known) of the sitters as well as lineage, employment, and style of dress.
Harlan Smith