A totem pole being moved onto a trailer. It is being moved from Totem Park to the new Museum of Anthropology building. This totem pole was carved by Charlie James and later restored by Mungo Martin.

A totem pole being lowered onto the ground by a crane. This totem pole is in the process of being moved from Totem Park to the new Museum of Anthropology building. It was originally carved by Charlie James and later restored by Mungo Martin.

A totem pole being lowered onto the ground by a crane. This totem pole is in the process of being moved from Totem Park to the new Museum of Anthropology building. It was originally carved by Charlie James and later restored by Mungo Martin.

A totem pole, wrapped in padding and lifted by a crane, being moved into the new Museum of Anthropology building from its position in Totem Park. This totem pole was carved by Charlie James and later restored by Mungo Martin.

A totem pole, wrapped in padding and lifted by a crane, being moved into the new Museum of Anthropology building from its position in Totem Park. This totem pole was carved by Charlie James and later restored by Mungo Martin.

A totem pole, wrapped in padding and lifted by a crane, being moved into the new Museum of Anthropology building from its position in Totem Park. This totem pole was carved by Charlie James and later restored by Mungo Martin. The totem pole lying on the floor was carved by Mungo Martin and restored by him in 1950-51.

A totem pole being positioned in the Museum of Anthropology while it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being positioned in the Museum of Anthropology while it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being positioned in the Museum of Anthropology while it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

Workers gather around as a totem pole is about to be lifted from its position as part of its being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

A workers climbs down from a scaffolding from which he was preparing a totem pole for being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

A worker secures a totem pole to its support beam in the New Museum of Anthropology after just having moved it there from Totem Park. This pole was originally carved by Charlie James and later restored by Mungo Martin.

Workers secure a totem pole to its support beam in the New Museum of Anthropology after just having moved it there from Totem Park. This pole was originally carved by Charlie James and later restored by Mungo Martin.

Workers oversee moving a totem pole as it hangs horizontally from a crane. The pole is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Workers oversee moving a totem pole as it hangs horizontally from a crane. It is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

A totem pole hangs horizontal, supported by a crane, after being lowered from its standing position in Totem Park. It will eventually be moved to the new Museum of Anthropology building. The pole was originally carved by Charlie James and later restored by Mungo Martin.

A totem pole hangs from a crane as it is being moved form its original position to Totem Park to its new home in the new Museum of Anthropology building. This pole was originally carved by Charlie James and later restored by Mungo Martin before being placed in Totem Park.

A crane prepares to lift a totem pole while a number of people oversee the process and stand on a scaffold to wrap the pole in padding. The totem pole, originally carved by Charlie James and later restored by his son, Mungo Martin, was being moved from Totem Park to the new Museum of Anthropology building.

A totem pole, covered in padding, begins to be lowered from its standing position to move it from Totem Park to the new Museum of Anthropology building. This pole was originally carved by Charlie James and later restored by Mungo Martin.

A totem pole, covered in padding, lies on a trailer, after being lowered from its standing position in Totem Park. It will eventually be moved to the new Museum of Anthropology building. Staff begin to disassemble the scaffolding from which the pole was wrapped in padding, while a crane appears to be attached to the metal support beam used to hold the pole in place. The pole was originally carved by Charlie James and later restored by Mungo Martin. Behind and to the left, a second pole carved by Mungo Martin stands wrapped in padding in preparation for being moved.