Image of a house frontal pole. The pole was carved at the University of British Columbia for display in Totem Park, where it is located in this image. It was moved to the new Museum of Anthropology grounds in 1978. Bill Reid based the design of the pole on older poles from Ninstints.

House frontal totem pole in situ at Oweekeno. This pole was removed by the B.C. Totem Pole Preservation Committee and now stands in the Great Hall at the Museum of Anthropology.

House frontal totem pole in situ at Oweekeno. This pole was removed by the B.C. Totem Pole Preservation Committee and now stands in the Great Hall at the Museum of Anthropology.

House frontal totem pole in situ at Oweekeno. This pole was removed by the B.C. Totem Pole Preservation Committee and now stands in the Great Hall at the Museum of Anthropology.

House frontal totem pole being lowered on Tanu Island in 1954. This pole was cut into four sections and is displayed in these sections at the Museum of Anthropology.

Four house front totem poles stand in a meridian, likely at the University of British Columbia. These were largely recovered from Ninstints in 1957. A diving board in the background, as well as the buildings, suggest the photograph was taken on University Boulevard, west of the intersection with Wesbrook Mall.

Four house front totem poles stand in a meridian, likely at the University of British Columbia. These were largely recovered from Ninstints in 1957. The building behind the poles on the viewer's left appears to be the War Memorial Gym, indicating that the photograph was likely taken on University Boulevard west of the intersection with Wesbrook Mall.

Three house front totem poles stand in a meridian, likely at the University of British Columbia. These were largely recovered from Ninstints in 1957. A diving board in the background, suggest the photograph was taken on University Boulevard, west of the intersection with Wesbrook Mall.

A house front and totem pole said to be at Bella Coola. This image may be from a book by Marius Barbeau or Edward Linnaeus Keithahn.

Item is a photograph taken from the water of the hospital, community hall, and other buildings in Alert Bay along the shoreline with the forest in the background. Totem poles are scattered along the shoreline.

Image depicts a partially carved pole being hosed down by carver Doug Cranmer.

Image depicts a partially carved pole being hosed down by carver Doug Cranmer. A building housing other carvings is visible behind the pole.

Image depicts a partially carved pole being hosed down by carver Doug Cranmer.

Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."

Photograph of two house posts being carved in a carving shed in Alert Bay, BC. Henry Speck smiles in foreground and two other carvers can be seen behind him.

Photograph of two house posts being carved in a carving shed, in Alert Bay, BC. Three people, including Henry Speck, can be seen working on the posts.

Photograph of two house posts being carved in a carving shed in Alert Bay, BC. Four people, including Henry Speck, can be seen working on the poles. A child is watching.

Photograph of Henry Speck carving a house posts for a Bighouse in a carving shed in Alert Bay, BC.

Image of a totem pole in Montreal, carved by Henry Hunt. This is likely one of the poles that he carved for Expo 67. The pole is seen at night, lit up from below.