View of totem poles in the Great Hall
- 132-1-C-C-a041783
- Item
- [197-?]
Part of MOA General Media collection
Totem poles in the Great Hall of the Museum of Anthropology.
1430 results directly related Exclude narrower terms
View of totem poles in the Great Hall
Part of MOA General Media collection
Totem poles in the Great Hall of the Museum of Anthropology.
View of totem poles in the Great Hall
Part of MOA General Media collection
Totem poles in the Great Hall of the Museum of Anthropology.
View of the Great Hall from the O'Brian Gallery
Part of MOA General Media collection
View of the Great Hall from the O'Brian Gallery in the Museum of Anthropology. A carving of an ancestor figure is visible on the viewer's right and a model totem pole on the viewer's left.
View of the Great Hall from Gallery 3
Part of MOA General Media collection
View of the Great Hall from Gallery 3 (now known as the O'Brian Gallery).
Part of MOA General Media collection
View of the Great Hall in the Museum of Anthropology. Several house posts and totem poles are visible.
Part of MOA General Media collection
View of the Great Hall with many totem poles, house posts, and figures visible.
Part of MOA General Media collection
View of the Great Hall in the Museum of Anthropology. Several house posts and totem poles are visible.
Part of MOA General Media collection
View of what is now called the Bill Reid Rotunda. Instead of Raven and The First Men on display here, a Haida house frontal totem pole is on display. This pole was transferred to the Museum of Anthropology from Tanoo in 1954.
Part of MOA General Media collection
View of Skedans photographed by George Mercer Dawson.
Part of MOA General Media collection
Image of the Victory through Honour Pole standing outside Brock Hall at the University of British Columbia, carved by Ellen Neel.
Part of MOA General Media collection
Image of the Victory through Honour Pole standing outside Brock Hall at the University of British Columbia, carved by Ellen Neel.
Part of MOA General Media collection
Image of the Victory through Honour Pole standing outside Brock Hall at the University of British Columbia, carved by Ellen Neel.
Part of MOA General Media collection
Image of the Victory through Honour Pole standing outside Brock Hall at the University of British Columbia, carved by Ellen Neel.
Part of MOA General Media collection
Image of the Victory through Honour Pole standing outside Brock Hall at the University of British Columbia.
Part of MOA General Media collection
Image of the Victory through Honour Pole standing outside Brock Hall at the University of British Columbia, carved by Ellen Neel.
Part of MOA General Media collection
Image of the Victory through Honour Pole standing outside Brock Hall at the University of British Columbia, carved by Ellen Neel.
Part of MOA General Media collection
Image of the Victory through Honour Pole standing outside Brock Hall at the University of British Columbia, carved by Ellen Neel.
Vickie Jensen and Jay Powell fonds
Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh
Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.
The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.
Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:
Vickie Jensen and Jay Powell
Vance and Porgy on deserted village on Alert Bay, June '74
Photograph of two men standing next to the remains of an old totem pole in a deserted village in Alert Bay, BC.
Mildred Laurie
Part of Virginia Kehoe fonds
Image depicts carver Doug Cranmer using a chain saw to make early cuts on a pole.