|
Bow and arrow
|
|
3 |
0 |
|
Bowls
|
|
6 |
0 |
|
Bracelets
|
|
19 |
0 |
|
Bridges
|
|
18 |
0 |
|
British Columbia Contemporary Ceramics
|
|
2 |
0 |
|
Buddhism
|
|
1 |
0 |
|
Buddhist temples
|
|
5 |
0 |
|
Building Structures
(16)
|
|
130 |
0 |
|
Buildings
|
|
9 |
0 |
|
Burial boxes
|
|
7 |
0 |
|
Buried History of London
|
- July 16, 1984 - January 6, 1985 (Theatre Gallery)
- The history of London’s waterfront from the Roman to the Post-Medieval periods depicted by photographs, illustrations and maps.
|
3 |
0 |
|
Calendar Prints: Popular Art of South India
|
- September 21, 1983 - January 1, 1984 (Gallery 9)
|
9 |
0 |
|
Camels
|
|
1 |
0 |
|
Canadian Native Handicrafts - Indians and Eskimos of Canada
|
- MOA exhibition in 1950. Loaned by Canadian Handicrafts Guild, supplemented by MOA materials.
|
14 |
0 |
|
Canneries
|
|
9 |
0 |
|
Cannery Days: A Chapter in the Lives of the Heiltsuk
|
- May 18, 1993 - January, 1994 [Spring 1998 - August 1998] (Theatre Gallery)
- Student exhibition: Pam Windsor, Heiltsuk woman, curator and graduate student in anthropology, challenges stereotypes of First Nations working women, particularly in male-dominated industries like fishing and fish processing.
|
30 |
0 |
|
Canoe races
|
|
8 |
0 |
|
Canoes
|
|
128 |
0 |
|
Carl Beam
|
- April 7 - May 29, 2011 (The Audain Gallery)
- Carl Beam (1943-2005) was born in M’Chigeeng (West Bay) on Manitoulin Island. Of Ojibway heritage, the artist has exerted a strong influence on a whole generation of Aboriginal artists and has been instrumental in the development of the art of Canada’s First Nations. He is renowned for his powerful combinations of highly charged images from his personal Anishinaabe aesthetic, which is more akin to the expressive layering of Rauschenberg than the traditional forms of Anishinabek “Woodland School” painters. The exhibition, curated by Greg Hill, and organized by the National Gallery of Canada, features a selection of 50 of Beam’s most remarkable works spanning his 30-year career, from his monumental-scale paintings and constructions, to his ceramics and video.
|
8 |
0 |
|
Carving
(1)
|
|
124 |
0 |
