Carving of the "Raven and the First Man," Bill Reid
- 110-5-1-27
- Dossier
- 1980
Fait partie de Public Programming and Education fonds
8 résultats directement liés Exclure les termes spécifiques
Carving of the "Raven and the First Man," Bill Reid
Fait partie de Public Programming and Education fonds
"A Rattling Under Glass" and The Raven and the First Men
Fait partie de Public Programming and Education fonds
Archer Mayling and Monique Mojica act in front of The Raven and the First Men during a performance of "A Rattling Under Glass"
Monique Mojica with The Raven and the First Men
Fait partie de Public Programming and Education fonds
Moique Mojica performs in "A Rattling Under Glass", an interpretive program for school groups visiting the museum adapted from a potlatch story in front of the carving The Raven and the First Men
Raven and the First Men installation and unveiling
Fait partie de MOA General Media collection
Three photographs donated by carpenter who worked on the installation of The Raven and First Men at MOA. One photo shows him (Ernie Forsyth) next to the sculpture. The other two photos are from the sculpture unveiling with Prince Charles speaking. Photos have additional notes from donor on the back, and in the envelope that photos were donated in (saved with the photos).
Fait partie de MOA Publications and Ephemera collection
Model, B. Reid, Raven and Clam myth
Fait partie de Harry B. Hawthorn fonds
Image of Bill Reid's small boxwood sculpture "The Raven Discovering Mankind in a Clam Shell," which he completed in 1970. He was later commissioned to make a much larger version of this sculpture for the Museum of Anthropology, which he titled "The Raven and the First Men."
Fait partie de Pam Brown fonds
Fait partie de MOA Publications and Ephemera collection
The report outlines the museum's administrative activities and finances for the previous fiscal year as well as listing staff, acquisitions, exhibitions, educational activities, lectures, events, loans, research projects, publications of the museum and its staff, and media coverage of the museum. The report was submitted to the National Museums of Canada, from which the museum received an operating grant.
Sans titre