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Fait partie de Paddling to Where I Stand collection
Image of four people sitting by a long table. There is a birthday cake on the table and a poster in the back that reads "Happy Birthday Granny Axu."
Handwritten annotation on back "(L) Arthur, Alvin, Axuw, Elizabeth (Libby)"
Item was originally numbered by creator with number 119.
Sans titre
Fait partie de Paddling to Where I Stand collection
Image of four women sitting in a kitchen.One of them is knitting, one of them is speaking on a telephone. In close up the hands and arms of a fifth person are visible.
Handwritten annotation on back "(L) Daisy Smith, Axuw, Flora Sewid, Emma Beans, Jun. 1987"
Item was originally numbered by creator with number 115.
Sans titre
Fait partie de Paddling to Where I Stand collection
Image of five people stading by a table with records on it. One of them is holding a microphone. More people on the background.
Handwritten annotation on back "Bella Coola Treaty. Paul Willie, Al Speck, Alvin Alfred, George Speck, Alec Smith"
Item was originally numbered by creator with number 112.
Sans titre
Fait partie de Missionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of a totem with a building in the background and a boat in the foreground with low tide. Based on the original order of the collection, photograph might have been taken in Alert Bay.
Fait partie de Missionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of an Indigenous burial site. Based on the original order of the collection, photograph might have been taken in Alert Bay.
Fait partie de Missionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of an house and Indigenous burial site. Based on the original order of the collection, photograph might have been taken near Alert Bay.
Fait partie de Missionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of a street with five totems. According to annotations, photograph was taken in Alert Bay.
Staff research, publications and productions
Fait partie de Audrey Hawthorn (MOA Curator) fonds
Subseries consists of material produced by museum staff, among them Wilson Duff, Harry and Audrey Hawthorn, Marjorie Halpin, and Gloria Cranmer Webster. There is extensive material on Audrey Hawthorn’s Art of the Kwakiutl Indians. Included in this subseries are ca. 2000 photographs which were collected for possible use in this book. Photographs are numbered A38-A17206 with many numbers missing throughout. The majority of photographs are of wooden masks, but they are also of bowls, bentwood boxes, paddles, rattles, totem poles, talking sticks, headdresses and frontlets, wooden figures and miniatures, whistles, spoons, silver bracelets, argillite carvings, button blankets, chilkat blankets, cedar head and neck rings, woodworking tools, stone tools, and fish hooks. Other record forms included in this subseries include correspondence, notes and published materials.
Workers prepare to move a totem pole
Fait partie de MOA General Media collection
Workers prepare to move a totem pole from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers cutting a totem pole's support
Fait partie de MOA General Media collection
Workers on a scaffolding appear to be using a welder to cut one of the supports from a totem pole standing in Totem Park. This is in preparation to move the totem pole to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers prepare to move a totem pole
Fait partie de MOA General Media collection
Workers standing on a scaffold wrap a totem pole in padding in preparation for moving it from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
A totem pole hanging horizontal from a crane
Fait partie de MOA General Media collection
Workers oversee moving a totem pole as it hangs horizontally from a crane. The pole is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers unloading totem poles from a trailer
Fait partie de MOA General Media collection
Workers unloading totem poles from a trailer outside the Museum of Anthropology as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.
A totem pole lying on the floor of the Museum of Anthropology
Fait partie de MOA General Media collection
A totem pole lying on the floor of the Museum of Anthropology as it is being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers prepare to raise a totem pole in the Museum of Anthropology
Fait partie de MOA General Media collection
Workers prepare to raise a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Fait partie de MOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
A totem pole standing in Totem Park
Fait partie de MOA General Media collection
A totem pole standing in Totem Park. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.
A totem pole standing in Totem Park
Fait partie de MOA General Media collection
A totem pole standing in Totem Park. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.
Scaffolding surrounds two totem poles
Fait partie de MOA General Media collection
Scaffolding surrounds two totem poles in totem park in preparation for moving them from Totem Park to the new Museum of Anthropology building. The pole on the viewer's right was originally carved by Charlie James and later restored by Mungo Martin. The pole on the viewer's left was carved by Mungo Martin and later restored by him in 1950-51. Both poles stood in Totem Park from 1951 until they were moved to the new Museum of Anthropology building in 1975.
A totem pole lying on the ground
Fait partie de MOA General Media collection
A totem pole lying on the ground outside the Museum of Anthropology as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.