An eagle painting by Roy Hanuse
- 132-1-C-A-a040354
- Item
- [1970?]
Parte de MOA General Media collection
An eagle painting by Roy Hanuse.
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An eagle painting by Roy Hanuse
Parte de MOA General Media collection
An eagle painting by Roy Hanuse.
Parte de MOA General Media collection
Roy Hanuse carving what appears to be a Dzunukwa mask.
Totem poles standing in Totem Park
Parte de MOA General Media collection
Totem poles standing in Totem Park. The second pole from the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Scaffolding surrounds a totem pole
Parte de MOA General Media collection
A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers carry a totem pole from Totem Park
Parte de MOA General Media collection
Workers carry a totem pole, wrapped in padding, from its position in Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers unloading totem poles from a trailer
Parte de MOA General Media collection
Workers unloading totem poles from a trailer outside the Museum of Anthropology as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.
Parte de Harry B. Hawthorn fonds
Henry Hunt, Kwak pole, Montreal
Parte de Harry B. Hawthorn fonds
Image of a totem pole in Montreal, carved by Henry Hunt. This is likely one of the poles that he carved for Expo 67. The pole is seen at night, lit up from below.
Mrs. Agnes Cranmer: Beliefs and Myths Pertaining to the Aquatic World
Parte de Paddling to Where I Stand collection
Item includes two audio cassette tapes with recordings of Mrs. Agnes Cranmer.
Tape a: Mrs. Agnes Cranmer: Beliefs and Myths pertaining to the aquatic world.
Tape b: Mrs. Agnes Cranmer: Beliefs and Myths pertaining to the aquatic world.
Recorded by Martine de Widerspach-Thor (Reid) at the house of Mrs. Agnes Cranmer in Alert Bay.
Sem título
Parte de Paddling to Where I Stand collection
Agnes Alfred telling her life story. Recorded by Martine Reid.
No date.
Sem título
Parte de Paddling to Where I Stand collection
Chief Jim King. Recorded by Martine de Widerspach-Thor (Reid) at Mrs. Agnes Cranmer's house, at Alert Bay.
Side 1: Word list, copper, mask, colour, etc.
Side 2: Bacbakwalanuxsiwae
Sem título
Daisy Describes to Martine Reid her Wedding Preparations
Parte de Paddling to Where I Stand collection
Daisy Sewid-Smith describes her wedding preparations to Martine Reid, in English.
Sem título
Parte de Virginia Kehoe fonds
Image depicts a totem pole carved by Doug Cranmer featuring a mosquito at the top. The pole stands in front of a small building, possibly a carving shed. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Mosquito Totem Pole, side view of midsection
Parte de Virginia Kehoe fonds
Image depicts a side view of the midsection of a totem pole carved by Doug Cranmer. This portion depicts the mosquito's wings, legs, and proboscis. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Mosquito Totem Pole, base frontal view
Parte de Virginia Kehoe fonds
Image depicts a frontal view of the base of a totem pole carved by Doug Cranmer. This portion depicts a human figure sitting with arms wrapped around bent legs. Two other human figures are positioned on each side and behind. The mosquito's feet are perched on the human figure's head. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Parte de Virginia Kehoe fonds
Image depicts Douglas Cranmer painting a totem pole which is outside.
Parte de Virginia Kehoe fonds
Image depicts Godfrey Hunt carving a totem pole. The pole is outside. He is using a knife to cut a pre-marked design on the pole.
Parte de Virginia Kehoe fonds
Image depicts a totem pole inside a wooden packing crate.
Parte de Virginia Kehoe fonds
Image depicts a nearly completed totem pole with a man, possibly Douglas Cranmer, working on it. Vintage cars are visible in the distance.
Parte de Virginia Kehoe fonds
Image depicts a partially carved totem pole lying on the ground. One end of the pole has had rough cuts made; the other end still has bark.