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Bella Coola Treaty with Qwigwasutinuxca
Image is a close up photograph of four people standing around a table. One of them is holding a microphone. More people on the background.
Handwritten annotation on back "Bella Coola Treaty with Qwiqwasutinuxca. (L) Bella Coola: Laurance Maru, Puglas Hall. James Sewid, Al Speck, Alvin Alfred, George Speck"
Item was originally numbered by creator with number 111.
Sin título
Signing the Bella Coola Treaty
Image of one person signing a paper. More people on the background.
Handwritten annotation on back "Signing the Bella Coola Treaty Jun. 1987"
Item was originally numbered by creator with number 114.
Sin título
Image of two young men. One sitting down and one standing. Photograph taken in a professional studio.
Handwritten annotation on back "James Sewid (R) Artur Alfred (L)"
Item was originally numbered by creator with number 117.
Image of nine people along a table. One of them, Agnes Alfred, is blowing the candles from her birthday cake. There is a part of a poster in the back that reads "Granny Axu."
Handwritten annotation on back "(L) Alvin, Axuw, Libby, Lina, Phillip"
Item was originally numbered by creator with number 120.
Sin título
Image of two people dancing. More people on the background.
Handwritten annotations on back "Lorne & Dasiy" and "Flora and James Sewid"
Item was originally numbered by creator with number 121.
Parte deMissionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of a woman in a shawl. According to annotations, photograph was taken in Alert Bay.
Parte deMissionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of a totem in a burial ground. Based on the original order of the collection, photograph might have been taken in Alert Bay.
21 June 1958 Alert Bay Centennial Celebrations
Parte deDiane Elizabeth Barwick fonds
Item is a photograph of a procession of people walking down a road in Alert Bay in ceremonial dress (button blankets, headdresses) and regular clothes. Mungo Martin and Daisy Neel lead the group in the front row.
21 June 1958 Alert Bay Centennial Celebrations
Parte deDiane Elizabeth Barwick fonds
Item is a photograph of men gathered together for an event celebrating British Columbia's centennial in Alert Bay in 1958. They are sitting down in front of a painted wall and some are wearing ceremonial dress, such as button blankets and woven cedar headbands. A drum and a painted dance screen [thunderbird?] on fabric are also visible. Men in the photograph include: Charles Nowell, Billy Assu, and George Scow.
Research and Publications Records
Series consists primarily of records relating to the publication of Art of the Kwakiutl Indians (first published 1967), including correspondence with various publishing houses, reviews of the book, research notes, copies and revisions of the book, bibliographies, appendices and documents relating to the photographs used in Art of the Kwakiutl Indians. The series also contains several drafts of A Labour of Love (first published 1993), book reviews written by A. Hawthorn about other authors' works, research materials for other publications and exhibits at MoA, and three folders entitled Kwakiutl Ceremonial Art, Museum of Anthropology U.B.C. Vol. 1-3 (may have been intended as a catalogue of MoA holdings).
The series has been divided into the following subseries:
A. Art of the Kwakiutl Indians
B. Kwakiutl Ceremonial Art
C. A Labour of Love
D. Exhibits and Other Research
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A totem pole lying on the floor of the Museum of Anthropology
Parte deMOA General Media collection
A totem pole lying on the floor of the Museum of Anthropology as it is being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers raising a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers raising a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers tie a totem pole to a trailer
Parte deMOA General Media collection
Workers tie a totem pole to a trailer as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.
A totem pole lying on a truck trailer
Parte deMOA General Media collection
A totem pole lies on a truck trailer as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.
A totem pole being lifted by a crane
Parte deMOA General Media collection
A totem pole hanging horizontal from a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.