Kwakwa̱ka̱ʼwakw

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Kwakwa̱ka̱ʼwakw

Kwakwa̱ka̱ʼwakw

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Kwakwa̱ka̱ʼwakw

  • UP Kwakkewlths
  • UP Kwakiutl
  • UP Kwakwakawakw
  • UP Kwakkewlths

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Kwakwa̱ka̱ʼwakw

767 descrição arquivística resultados para Kwakwa̱ka̱ʼwakw

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Carving demonstration by Mungo Martin

Item is a sound recording of an unidentified narrator providing the voice-over for an unidentified documentary. The narrator describes the techniques used by Mungo Martin as he provides a carving demonstration and also the acquisition by UBC of totem poles for Totem Park. The narrator also discusses the tools used by Mungo Martin, his methodology and symbolism used in his carvings. Mungo Martin does not speak during the recording.

Tape for Mask Group, Anthropology 431

Item is a sound recording of material used in the UBC course, Anthropology 431. The recording features a speaker discussing Coast Saalish and Kwakwaka'wakw masks in terms of similarities and differences in form and meaning, particularly in reference to writing on the subject by Claude Levi-Strauss. The recording is related to the MOA exhibition Kwakiutl Masks: An Expression of Transformation, which took place from April 15 to December 31, 1979. The content of the recording is repeated three times.

Lecture by Dr. Peter Macnair Part 1

Item is an audio recording of the first of a two-part lecture by Canadian anthropologist Dr. Peter Macnair about Haida and Kwakiutl art. The recording is Lecture #3 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Lecture by Dr. Peter Macnair Part 2

Item is an audio recording of the second of a two-part lecture by Canadian anthropologist Dr. Peter Macnair about Haida and Kwakiutl art. The recording is Lecture #6 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Charlie James totem pole

Charlie James totem pole

Image of totem pole carved by Charles James.

The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping to UBC in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall ca. 1976.

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Ben Williams Leeson collection

  • 93
  • Coleção
  • [ca. 1908], [ca. 1972]

The fonds consists of 66 photographic prints, some of which are hand-coloured, stamped “B.W. Leeson Quatsino, B.C.”, labelled on the front or back with explanatory information, or signed in ink. One print of a longhouse is stamped “The Leeson Collection Copyright 1914.” The photographic subject matter relates to British Columbia’s Kwakwaka'wakw First Nations and the British Columbia landscape. Also included is a copy of Portraits of the Indians of Quatsino by Benjamin W. Leeson (Kit #20) by Susan Roper, produced by the Research Project on Early B.C. Photography at the Vancouver Public Library around 1972, and 23 duplicate slides which accompany it.

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Scaffolding surrounds a totem pole

Scaffolding surrounds a totem pole

A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Workers raising a totem pole in the Museum of Anthropology

Workers raising a totem pole in the Museum of Anthropology

Workers raising a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Workers securing a totem pole in the Museum of Anthropology

Workers securing a totem pole in the Museum of Anthropology

Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Workers securing a totem pole in the Museum of Anthropology

Workers securing a totem pole in the Museum of Anthropology

Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

A totem pole standing in Totem Park

A totem pole standing in Totem Park

A totem pole standing in Totem Park. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

Scaffolding surrounds a totem pole

Scaffolding surrounds a totem pole

Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being lifted by a crane

A totem pole being lifted by a crane

A totem pole hanging horizontal from a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being prepared to be lifted

A totem pole being prepared to be lifted

A totem pole being prepared to be lifted as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being lifted by a crane

A totem pole being lifted by a crane

A totem pole being lifted by a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being lifted by a crane

A totem pole being lifted by a crane

A totem pole being lifted by a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

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