View from the ramp of the Museum of Anthropology
- 132-1-C-C-a041780
- Pièce
- [197-?]
Fait partie de MOA General Media collection
View from the ramp of the Museum of Anthropology looking towards a display of feast dishes.
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View from the ramp of the Museum of Anthropology
Fait partie de MOA General Media collection
View from the ramp of the Museum of Anthropology looking towards a display of feast dishes.
Fait partie de MOA General Media collection
An early photograph of the Museum of Anthropology. Two totem poles are visible on the museum grounds.
Whistles on display in visible storage
Fait partie de MOA General Media collection
Whistles on display in visible storage at the Museum of Anthropology.
Hope Island, Humchitt posts rear
Fait partie de Harry B. Hawthorn fonds
Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."
Campbell River: Daisy Smith and Agnes Alfred
Fait partie de Paddling to Where I Stand collection
Item is a recording of Daisy Sewid-Smith and Sgnes Alfred. Item was recorded by Daisy Sewid-Smith at Campbell River, prior to Martine Reid involvement. Item was translated by Daisy Sewid-Smith in 1979.
Item includes four cassette tapes with Agnes Alfred and Dorothy Hawkins talking about love songs; the Hamatsa mask song; permission to use the chant of the Nimpkish, of the Kwakiutl; and their life story.
Item was numbered by creator with roman number II.
Sans titre
Fait partie de Paddling to Where I Stand collection
Mrs. Kitty Ferry's Potlatch, Alert Bay. October 15, 1977.
Side 1
Daisy Sewid - Lorne Smith Wedding Potlatch
Fait partie de Paddling to Where I Stand collection
Daisy Sewid and Lorne Smith wedding potlatch. Recorded by Martine de Widerspach-Thor (Reid) at the traditional Big House, Alert Bay.
3 copies. Identifiers are MAN 230a, 230b, 230c, 230d for the 3 copies.
Sans titre
Agnes Alfred and Daisy Sewid-Smith at Jimmy Sewid's house
Fait partie de Paddling to Where I Stand collection
Conversation between Agnes Alfred and her granddaughter Daisy Sewid-Smith., recorded by Martine Reid at Mr. and Mrs. Jimmy Sewid's house, Campbell River on February 18, 1975.
Side 1: Agnes Alfred ad Daisy discuss the 1921 "illegal" potlatch at Village Island followed by the arrest of many participants, including herself and her husband.
Side 2: Regular and larger canoes, Agnes' may names and the origins of the names, where she was born, her houses, menstruation, pregnancy, having children, reincarnation, aristocracy, etc.
Sans titre
Mosquito Totem Pole, top close up
Fait partie de Virginia Kehoe fonds
Image depicts a close up view of the top of a totem pole carved by Doug Cranmer featuring a mosquito. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Fait partie de Virginia Kehoe fonds
Image depicts Douglas Cranmer in the early stages of carving a totem pole. The pole is outside. A chain saw is visible on the ground.
Carving a pole with a chain saw
Fait partie de Virginia Kehoe fonds
Image depicts Douglas Cranmer in the early stages of carving a totem pole. The pole is outside. He is preparing to use a chain saw to make the early cuts to a pole. Markings are visible, showing where he will cut.
Side view of totem in front of door
Fait partie de Virginia Kehoe fonds
Image depicts a side view of a small-scale totem pole in front of a door. The pole depicts several figures--possibly three Thunderbirds with a seated human figure at the base. See items a034476 - a034482 for other views of this pole.
Small scale totem, top section closeup
Fait partie de Virginia Kehoe fonds
Image depicts a top section closeup of a small-scale totem pole in front of a door. Visible are two beaked figures, with another seated figure. See items a034476 - a034482 for other views of this pole.
Fait partie de Virginia Kehoe fonds
Image depicts a side view of the top of a partially painted carving featuring what may be a Thunderbird. Views of this carving can be seen in items a034483 - a034486.
Fait partie de Virginia Kehoe fonds
Image depicts a nearly completed totem pole outside. A can of black paint is visible on the path. This pole may be the St. Catharines Ontario Centennial pole carved in 1967.
Fait partie de Virginia Kehoe fonds
Image depicts Douglas Cranmer on a break from carving. He smokes a cigarette as his chain saw rests on the ground.
Fait partie de Virginia Kehoe fonds
Image depicts Doug Cranmer using a chain saw to make early cuts on a totem pole.
Fait partie de Virginia Kehoe fonds
Image depicts a felled tree which will possibly become a totem pole.
Fait partie de Virginia Kehoe fonds
Image depicts Doug Cranmer taking a break from carving. He sits on a wooden bench and his chain saw rests on the ground in front of him.
Close up of partially carved pole
Fait partie de Virginia Kehoe fonds
Image depicts a pole that has been partially carved.