Photograph of Mungo Martin working on a totem pole. Charles Docherty, a carpenter, was hired as his assistant. This pole was originally carved by Charlie James and was later restored by Mungo Martin. It stood in Totem Park at UBC until it was moved to the Great Hall of the Museum of Anthropology.

Mungo Martin and Charles Docherty painting a totem pole. Docherty, a carpenter, was hired as Martin's assistant for restoring totem poles at UBC.

Mungo Martin and Charles Docherty painting a totem pole. Charles Docherty was a carpenter hired as Mungo Martin's assistant.

Mungo Martin and Charles Docherty painting a totem pole. Docherty, a carpenter, was hired as Martin's assistant for restoring totem poles at UBC.

Mungo Martin and Charles Docherty painting a totem pole. Charles Docherty, a carpenter, was hired as his assistant.

Mungo Martin working on the restoration of a totem pole. This pole was originally carved by Charlie James. It was later restored by Mungo Martin and stood in Totem Park at UBC until it was moved to the Great Hall at the Museum of Anthropology.

Mungo Martin working on a totem pole. This pole was originally carved by Charlie James. It was later restored by Mungo Martin and Ellen Neel. It originally stood in Totem Park at UBC before it was moved to the Great Hall at the Museum of Anthropology.

Mungo Martin restoring a totem pole originally carved by Charlie James. The pole later stood in Totem Park at UBC before being moved to the Great Hall of the Museum of Anthropology.

Mungo Martin restoring a totem pole originally carved by Charlie James. The pole later stood in Totem Park at UBC before being moved to the Great Hall of the Museum of Anthropology.

Mungo Martin wearing a headdress and button blanket.

Photograph of a woman identified as Mrs. Sewid and four younger women identified as her daughters. All five of them are in ceremonial dress. They are standing outside, with a group of spectators behind them. It is not clear what type of event they are at. A stamp on the verso of the print indicates that it was printed in 1958.

Image depicts a side view of the top of a totem pole carved by Doug Cranmer. This view shows details of the mosquito's head, eye, and mouth. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Image depicts a rear view of the top of a totem pole carved by Doug Cranmer. This portion depicts a side view of the mosquito's head and wings and reveals that the pole is open at the back. From this perspective a church can be seen in the background. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Image depicts a close up view of the top of a totem pole carved by Doug Cranmer featuring a mosquito. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Image depicts a side view of the midsection of a totem pole carved by Doug Cranmer. This portion depicts the mosquito's wings, legs, and proboscis. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Image depicts a frontal view of a totem pole carved by Doug Cranmer. The mosquito perched on three human figures stands in front of a carving shed. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.