Kwakwaka'wakw

Taxonomy

Code

Scope note(s)

Source note(s)

Display note(s)

Hierarchical terms

Kwakwaka'wakw

Kwakwaka'wakw

Equivalent terms

Kwakwaka'wakw

  • UF Kwakkewlths
  • UF Kwakiutl

Associated terms

Kwakwaka'wakw

767 Archival description results for Kwakwaka'wakw

767 results directly related Exclude narrower terms

Sisiul print

Image depicts the mythical serpent Sisiul, painted in black on white paper. Additional notes say, "Shutter 50 Ap. 2.8__4"

Signing the Bella Coola Treaty

Image of one person signing a paper. More people on the background.
Handwritten annotation on back "Signing the Bella Coola Treaty Jun. 1987"
Item was originally numbered by creator with number 114.

Martine J. Reid

Side view of totem in front of door

Image depicts a side view of a small-scale totem pole in front of a door. The pole depicts several figures--possibly three Thunderbirds with a seated human figure at the base. See items a034476 - a034482 for other views of this pole.

Sea gull mask, side view

Image depicts a side view of a sea gull mask. The bottom section of a totem pole is visible on the right side of the photo.

Sea gull mask

Image depicts a sea gull mask, painted in brown, tan, white and gray. The mask is photographed outdoors on top of a mat.

Sea eagle in ovoid form

Image depicts a painting of a sea eagle inside an ovoid form. Additional notes indicate this painting was made by Douglas Cranmer in 1964 or 1965.

Sea creature painting

Image depicts a painting of a sea creature, possibly a whale. The painting is done in black, red and blue on white paper.

Scaffolding surrounds two totem poles

Scaffolding surrounds two totem poles in totem park in preparation for moving them from Totem Park to the new Museum of Anthropology building. The pole on the viewer's right was originally carved by Charlie James and later restored by Mungo Martin. The pole on the viewer's left was carved by Mungo Martin and later restored by him in 1950-51. Both poles stood in Totem Park from 1951 until they were moved to the new Museum of Anthropology building in 1975.

Scaffolding surrounds a totem pole

Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

Scaffolding surrounds a totem pole

A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Scaffolding surrounds a totem pole

Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

Scaffolding surrounds a totem pole

A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Sam Weber with mask, Kingcome

Image of Kingcome resident holding a mask carved by the late chief Willie Seaweed of Blunden Harbour. A colour version of this image is printed on page 49 of Carter's book From History's Locker.

Anthony Carter

Salmon barbecue

Image depicts several adults standing outside, at a salmon barbecue. One woman wears an apron and salmon is visible behind the people.

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