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Students packing items

Students packing items in the Museum of Anthropology's old location in the library basement. This would have been in preparation for moving to the Museum's new location.

Students packing items

Students packing items in the Museum of Anthropology's old location in the library basement. This would have been in preparation for moving to the Museum's new location.

Students packing items

Students packing items in the Museum of Anthropology's old location in the library basement. This would have been in preparation for moving to the Museum's new location.

Students packing items

Students packing items in the Museum of Anthropology's old location in the library basement. This would have been in preparation for moving to the Museum's new location.

Students packing items

Students packing items in the Museum of Anthropology's old location in the library basement. This would have been in preparation for moving to the Museum's new location.

Student research materials

Subseries consists of research material created by Sawyer, as well as his students, regarding Northwest coast artifacts. The majority of this research pertains to a specific type of artifact known as the “Jenna Cass” mask. This portrait mask was created by the Haida First Nations, and is known for its colouring and pronounced lebret piercing. Textual materials in this subseries include reports, iconic analysis, handwritten notes, memos, correspondence, and photocopies of articles related to Jenna Cass and other artifacts research. Graphic materials include photographs, slides, film negatives, and drawings of Jenna Cass masks. Other materials not related to the Jenna Cass research include photocopies of published articles related to Northwest coast artifacts.

ref # 13-1-D

Student Project files

Series consists of records relating to display units and museum exhibits that were done by students of Anthropology 431 and Anthropology 432 (course titles included Museum Practice and Curatorship, Anthropology of Public Presentation, and Museum Studies and Principles). The records are group assignments that include journals, correspondence, permissions for use, exhibit receipts, exhibit proposals, agreement forms, interview transcripts, research notes, design sketches, invitations, colour samples, samples of mounting materials, colour printouts, negatives, slides and photographs.

The records are divided into the following sub-series:

A Visible Storage 1994
B Gallery Design Concepts 1994
C What Are You Looking At? 1998
D A Break in the Ice 1998-1999
E Who is This Benetton Anyway? 2001
F Koerner Gallery 2001
G Viewpoints 2002
H Celadon: Beyond the Glaze 2003
I Site to Sight: Imaging the Sacred 2004
J The Multiverse Gallery rotational project 2013
K Syllabi and Teaching Files 1999-2013

Student papers

Series consists of notes and papers written by Duff when he was an anthropology student at UBC.

Student Papers

This file consists of three bound papers about Cypriot pottery written by students of Paul Hockings and two sets of identical drawings depicting items discussed in the papers. The papers discuss if it is possible to detect regional differences between items from the Cesnola, Sid and Florence Leary Collection, and the Baron van Haersolte van den Doorn Collection. Papers were written while Hockings was Assistant Professor of Anthropology at the University of California, Los Angeles (UCLA).

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