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A close-up image of a person holding an open sea urchin. According to the documentation included with the filmstrip, the description of the image states "Mary-Lou has taken oar, cracked open a tuut-suup, and is eating the insides. Tuut-suup is eaten raw."

Image depicts a side view of a sea gull mask. The bottom section of a totem pole is visible on the right side of the photo.

Image depicts a sea gull mask, painted in brown, tan, white and gray. The mask is photographed outdoors on top of a mat.

Image depicts a painting of a sea eagle inside an ovoid form. Additional notes indicate this painting was made by Douglas Cranmer in 1964 or 1965.

Image depicts a painting of a sea creature, possibly a whale. The painting is done in black, red and blue on white paper.

An image of a man in a diver wet suit, wearing googles and oxygen tank. According to the documentation included with the filmstrip, the description of the image states "Tony will untangle a roap wrapped around a fish boat propeller."

A screen depicting a double-headed serpent on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

A screen depicting a double-headed serpent on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

Dance screen and figure on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

An image showing two young men sitting on a boat filled with shipping parcels. According to the documentation included with the filmstrip, the description of the image states "School supplies have arrived on the Patsco. Paul Vincent and Leo Jack bring them from the fuel wharf to the school wharf."

Scaffolding surrounds two totem poles in totem park in preparation for moving them from Totem Park to the new Museum of Anthropology building. The pole on the viewer's right was originally carved by Charlie James and later restored by Mungo Martin. The pole on the viewer's left was carved by Mungo Martin and later restored by him in 1950-51. Both poles stood in Totem Park from 1951 until they were moved to the new Museum of Anthropology building in 1975.

Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.