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Man, girl, and bicycle

Man, girl, and bicycle

A man and female child pose with a patriotically decorated bicycle that includes a de jure flag. The child wears a headband and some native clothing. Other people, a pickup truck, and a building are visible in the background.

Alert Bay, B. C.

Alert Bay, B. C.

View of Alert Bay, B. C. taken September 1954. Initials R S appear in lower right of card. Photo is an aerial view, so structures are difficult to distinguish.

Kwakiutl Totem Poles

View of the Kwakiutl totem poles standing in a cemetery. The two poles stand adjacent to graves marked with crosses, which are identified Chief J .Aul Sewid and Mrs. Lucy Sewid. The presence of flowers at this gravesite suggest that this photo may have been taken in 1988 when Chief Sewid died. Photo is attributed to Eric J. Cooke, Photo Productions, Sidney, B. C.

Kwakiutl Totem Pole

View of a Kwakiutl totem pole on Alert Bay, Cormorant Island, British Columbia. Pole appears to be standing in a cemetery. A cross marked Charles Smith is visible. This pole features a bird (possibly a raven) atop several other animals.

Willy White: “My Ancestors Are Still Dancing”

The records in this sub-series relate to Willy White’s 2002 exhibition on Chilkat and Raven’s Tail weaving, My Ancestors Are Still Laughing. During his exhibition at the Museum of Anthropology, Willy White began weaving a gwishalaayt, or Chilkat robe. The weaving was later finished at his home in Prince Rupert, British Columbia. In 2004, a “taking off of the loom” ceremony and feast was held to celebrate the completion of the gwishalaayt. Though Elizabeth Johnson was the curator for this exhibition, Duffek worked closely with her, and the files relate to Duffek’s involvement with in the process. File contents relate to exhibition research and planning, draft exhibit texts, correspondences, transcripts of interview with the weavers, and recordings of the final ceremony.

Multiplicity: A New Cultural Strategy

The sub-series contains materials relating to the exhibit Multiplicity: A New Cultural Strategy, for which Duffek was the exhibition coordinator and Robert Houle was the guest curator. The exhibition took place from December 1993 through May of 1994. The exhibition featured works by contemporary First Nations artists who question the concept of the “other.” Records consist of articles, exhibit text and labels, internal reports, correspondences, artist biographies, and a report based on visitor interviews.

Carl Beam Exhibit

This sub-series consists of records relating to the exhibition of the Carl Beam Exhibit at MOA. This exhibition, which was created by the National Gallery of Canada, was exhibited at UBC MOA from April 8th to May 29th 2010 and was curated by Greg Hill. The Exhibit displayed fifty works of Carl Beam, an artist of Anishinaabe (Ojibwa) heritage.

Files contain correspondence, exhibit floor plans, installation instructions from the National Gallery of Canada, photocopies of art works, exhibit captions, promotional materials, and notes for an opening night speech.

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