Image depicts a man, probably Douglas Cranmer, in the early stages of carving the St. Catherines, Ontario totem pole. The pole is outside. He is preparing to use a chain saw to make the early cuts to a pole. Markings are visible, showing where he will cut.
Image depicts Douglas Cranmer in the early stages of carving the St. Catherines totem pole. The pole is outside.. He is using an adze to make early cuts on a pole.
Photograph of a set of totem poles that will become part of the longhouse in Alert Bay, BC. These poles were carved and raised before the rest of the structure.
Photograph of the interior totem poles of the longhouse in Alert Bay, BC, while the poles are still being carved. These poles were carved and raised before the rest of the structure. Two boys are standing near the poles.
Image depicts several people involved in a performance. A female plays the drum. A male, clad in a bathing suit and regalia, dances on his knee. Another man wearing a headdress, stands at the back of the photo. Spectators are also visible in this outdoor scene.
The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping to UBC in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall ca. 1976.
Charlie James' totem pole after restoration work by Mungo Martin. It is likely standing in Totem Park at UBC in this photograph. It was later moved to the Great Hall in the Museum of Anthropology.