- 86-02-a039719
- Item
- [1949 or 1950]
Parte de William Carr fonds
Image of totem poles at Stanley Park from the side. From foreground to background: Sisa Kaulas Pole, Wakas (Wakius) Pole, and Thunderbird house post.
Sem título
190 resultados com objetos digitais Mostrar resultados com objetos digitais
Parte de William Carr fonds
Image of totem poles at Stanley Park from the side. From foreground to background: Sisa Kaulas Pole, Wakas (Wakius) Pole, and Thunderbird house post.
Sem título
Parte de E. Polly Hammer fonds
This pole was on display at UBC in Totem Park in the 1960’s and 1970’s and moved to the Museum in the late 1970’s. It was carved in 1914 in Tsaxis (Fort Rupert) by George Hunt Sr. for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was collected by Marius Barbeau and Arthur Price in 1947. The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Iconography: Kolus is a young thunderbird. Thunderbird is a supernatural bird identifiable by the presence of ear-like projections or horns on the head, and a re-curved beak. The pole alludes to the story of Tongas people in south Alaska, who migrated south.
Kwakiutl, new Mungo Martin pole #1, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
Carved by Mungo Martin 1951. Erected in UBC Totem Park. Moved to MOA in 1970’s but not erected in Great Hall until 2012 after repairs.
Parte de MOA General Media collection
Audrey and Harry Hawthorn in the new Museum of Anthropology. This photograph was likely taken around the time the Museum Opened in May, 1976.
Parte de Vickie Jensen and Jay Powell fonds
Series documents Nisga’a artist Norman Tait and his crew of carvers during a period in which they were prolific in their creation of totem poles.
Jensen first met Tait in the early 1970s when she would photographic artists’ works for Bud Mintz, Vancouver gallery owner. In 1985 she had the idea to produce a book documenting the carving of a totem pole from start to finish. She approached Tait, who initially refused but called Jensen back just a few days later to take her up on the offer, after being commissioned to create a pole for the Native Education Centre in Vancouver.
Jensen photographed Tait and his crew, which consisted of his brother Robert (Chip), his cousin Harry Martin (Hammy), his nephew Wayne Young and his eldest son Isaac (Ikey). She also made notes and audio recordings of Tait’s lessons to his crew, most of whom had never worked on such a large project. The photographs and tapes were used in the creation of the book Where the People Gather: Carving a Totem Pole. The project also led to the publication of a children’s version, Carving a Totem Pole and a paperback version titled Totem Pole Carving. The books were published in the early 1990s.
Jensen documented Tait’s next two major commissions: two poles for Capilano Mall in 1986, and a pole for Stanley Park in 1987.
In 1987 Tait adopted Jensen into the Nisga’a Eagle Clan and began to teach her about the responsibilities that came with the honour. The lessons were put into practice in 2001 when Tait asked Vickie to guard the body of a family member that had died.
The series includes photographic records of the creation of the four poles; audio recordings of lessons and interviews with Tait; transcripts of the audio tapes; and notes. The series consists of five sub-series:
A. Native Education Centre (NEC) pole photographs
B. Capilano Mall and Stanley Park poles photographs
C. Misc. photographs
D. Tait family and crew artists’ photographs
E. Audio tapes and transcripts.
School group at the Museum of Anthropology
Parte de MOA General Media collection
School group in the foyer at the Museum of Anthropology.
Great Hall at the Museum of Anthropology
Parte de MOA General Media collection
Totem poles in the Great Hall at the Museum of Anthropology.
Parte de MOA General Media collection
Museum of Anthropology grounds and Great Hall. The totem poles were carved by Mungo Martin.
Parte de Harry B. Hawthorn fonds
Image of Doug Cranmer and another person (likely Roy Hanuse) carving a totem pole at the University of British Columbia.
Doug Cranmer, Roy Hanuse, UBC 1973
Parte de Harry B. Hawthorn fonds
Image of Doug Cranmer and Roy Hanuse carving two totem poles at the University of British Columbia.
Totem pole installation, Museum of Anthropology
Parte de Anthony Carter fonds
Totem pole installation, Museum of Anthropology
Parte de Anthony Carter fonds
Image of workers installing totem poles at the Museum of Anthropology at the University of British Columbia. Michael Ames (MOA Director) is on the right.
Totem pole installation, Museum of Anthropology
Parte de Anthony Carter fonds
Image of workers installing totem pole A50020 at the Museum of Anthropology at the University of British Columbia.
Michael Ames with guests in Great Hall
Parte de Anthony Carter fonds
Image in the Museum of Anthropology's Great Hall. Michael Ames (MOA Director) is on the left. Prime Minister Pierre Elliot Trudeau in on the right. The third individual is unidentified.
Parte de Anthony Carter fonds
Image of totem poles on display at the Museum of Anthropology at UBC.
Fragments of Halibut pole and others, U.B.C.
Parte de Anthony Carter fonds
Image of fragments of carving and totem poles in a storage area at the Museum of Anthropology at UBC
Parte de Anthony Carter fonds
Image of pole A50020 at the Museum of Anthropology at UBC
Parte de Anthony Carter fonds
Image of an unidentified totem pole at the University of British Columbia.
Sem título
Parte de Anthony Carter fonds
Image of totem poles located at the University of British Columbia.
Sem título
Parte de Anthony Carter fonds
Image of the bottom of a totem pole located at the University of British Columbia.
Sem título