- 44-02-06-a043752
- Pièce
- June 1971
Fait partie de Edward F. Meade fonds
Item is a close-up image of petroglyphs carved on the a rock. According to annotations, image was taken by E. F. Meade.
4096 résultats avec objets numériques Afficher les résultats avec des objets numériques
Fait partie de Edward F. Meade fonds
Item is a close-up image of petroglyphs carved on the a rock. According to annotations, image was taken by E. F. Meade.
Fait partie de Edward F. Meade fonds
Item is a close-up image of petroglyphs carved on the ground. According to annotations, image was taken by E. F. Meade.
Fait partie de Edward F. Meade fonds
Item is a close-up image of petroglyphs with paint. According to annotations, image was taken by E. F. Meade. Original slide included number 19.
Fait partie de Edward F. Meade fonds
File contains graphic materials depicting petroglyphs and pictographs in the coast of British Columbia. According to annotations, some of the photographs were taken by Dick Pattinson, C. Gades, and Dr. Foskett.
Fait partie de Edward F. Meade fonds
Item is a close-up image of a petroglyph pecked on a rock. According to annotation, petroglyph is a circle pecked on granite, but not the same circle as the one in black and white, image was taken by E. F. Meade. Original slide included the numbers 3545 and other handwritten annotations reading "circle with [??????]?."
Fait partie de Edward F. Meade fonds
Item is a close-up image of a petroglyph pecked on a rock. According to annotations, image was taken by E. F. Meade. Original slide included number 3545.
Fait partie de Edward F. Meade fonds
Item is a close-up image of a petroglyph pecked on a rock with smaller rocks on the side, probably on a beach. According to annotations, image was taken by Dick Pattinson from Alert Bay. Original slide included number 3546
Pecked on sandstone petroglyph
Fait partie de Edward F. Meade fonds
Item is a close-up image of a petroglyph pecked on a sandstone rock with smaller rocks on the side, probably in a beach area. According to annotations, image was taken by E. F. Meade. Original slide included number 29.
Pecked bedrock sandstone petroglyph
Fait partie de Edward F. Meade fonds
Item is a close-up image of a petroglyph pecked on a sandstone rock with smaller rocks on the side, probably in a beach area. According to annotations, image was taken by E. F. Meade. Original slide included numbers 93 and 17.
Fait partie de Edward F. Meade fonds
Item is a close-up image of petroglyphs pecked on a beach boulder. According to annotations, image was taken by C. Gades (?).
Aerial photograph of peninsula
Fait partie de Edward F. Meade fonds
Item is an aerial view image of a peninsula. According to annotations, image was taken by Dick Pattinson. Original slide included number LC3001.
Fait partie de Edward F. Meade fonds
Item is a close-up image of a petroglyph pecked on a rock . According to annotations, image was taken by Dick Pattinson. Original slide included numbers 10 and LC3001.
Coastal area with ship on the background
Fait partie de Edward F. Meade fonds
Item is an image of coastal area with a ship in the background. According to annotations, image was taken by Morley Raven.
Fait partie de Edward F. Meade fonds
Item is an image of a logging truck with buildings on the side. According to annotations, image was taken by Morley Raven.
Fait partie de Edward F. Meade fonds
Item is a photograph of a map drawn by D. L. Cooper on February 28, 1972.
Fait partie de Edward F. Meade fonds
Item is an image of a beach boulder with petroglyphs and surrounded by smaller stones, probably in a beach.
The fonds consists of records relating to Hennessy’s 2003 MA thesis titled The Spirit of Collaboration: Exploring Critical Pedagogical Principles in Transforming the Museum Through Space and Time. Hennessy was interested in the relationships that developed between community members and museum staff during the process of putting together the Museum of Anthropology’s exhibit The Spirit of Islam, which ran from October 2001 to May 2002. Her purpose was to document the kinds of collaborative processes that occurred as the exhibit planning progressed in order to identify a model from which other museums working with communities might benefit.
Sans titre
Fait partie de John Mennie fonds
Two observers
Fait partie de John Mennie fonds
Building on left is ablaze. Six people on right are working
Fait partie de John Mennie fonds
Building on proper left is ablaze. Two people are running towards a group of bystanders on proper right