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Subseries consists of records relating to a joint project of the Vancouver Art Gallery and the Museum of Anthropology to send a travelling exhibition of Emily Carr’s work and related material on a tour of Asia. The records consist of correspondence, financial records, invitations, 2 maps, business cards, reports, newspaper photocopies, itineraries and memoranda.

Subseries consists of records relating to the Wong Toa Anniversary exhibit hosted by the Jin Wah Sing Musical Association. The records in this file consist of two photographs, and notes.

Subseries consists of records relating to various aspects of the Cantonese opera in Vancouver including, photo permissions, questions surrounding documentation, and seminars. Records relate to the Hong Kong Cantonese Opera Troupe performance hosted by the Museum of Anthropology. The records in this file consist of photographs, correspondence, notes, agreements, business card, programmes, signage, object list, work plan, presentation, contact list, notebooks, oversized posters, and ephemera.

Subseries consists of records relating to a proposal for a book by Johnson to be called Opera In the Museum. Included in this series is a proposal.

Subseries consists of records relating to the development of a book on the subject of the impact of the collaborative process on museum practice. The records in this series consist of correspondence and notes.

Subseries consists of records relating to various delegations from international museums with the intent of examining and learning from MOA’s practices. The records included in this series are composed of correspondence and notes.

Series consists of records relating to Elizabeth Johnson’s activities to obtain grant funding for a book on Salish weaving, research for monograph of preservation on Cantonese opera in Canada, Hakka urban village research, and collections documentation and research. Records include research and publication grant applications and reports, grant budgets, Salish weaving book, Cantonese Opera research, correspondence, and memoranda.

Series consists of records relating to Elizabeth Johnson’s activities in coordinating the Musqueam Heritage Awareness Program. Records include participant’s contact information, progress, and resumes, training program, feedback, training plan, correspondence, memoranda, phone messages, diary, and a card.

Subseries consists of records relating to miscellaneous financial bequests to the museum with a particular focus on the Fyfe-Smith bequest. Records in the series include minutes, a portion of the Fyfe-Smith will, and correspondence.

Subseries consists of one file of correspondence, notes, exhibit proposal, relating to a proposed exhibition of Chinese women’s dress in the twentieth century.

The material in this subseries relates to a proposed exhibition on the Mayan civilization. Much of the material here focuses on the subject of the commission of various textiles from Guatemala for the exhibition. The subseries also includes materials related to events which occurred peripherally to the development of the exhibit, in particular a file which focuses on ‘Maiwa’ a conference which took place in 2004 and the records of a Mayan Cultural evening hosted by the Museum of Anthropology in 2002 which involved many of the same people who played a part in the process of the textile commission. The records in this subseries are comprised of correspondence, notes, financial records, including budgets and receipts, schedules, minutes, contracts, grant applications, documents relating to museum objects acquisitions, agendas, interview transcripts, drawings and ephemera.

Subseries relates to a proposed exhibition or portion of an exhibition which was to be called ‘Blue Thread an Installation by Gu Xiong’. The subseries includes correspondence, an exhibition catalogue of Gu Xiong’s work, a consent form, and newspaper photocopies.

Subseries consists of records relating to the exhibit "A Family Affair: Making Cloth in Taquile Peru". This exhibit was installed at MOA from May 9 – Oct 1 1989, in Gallery 5. Elizabeth Johnson coordinated this exhibit; it was curated by Mary Frame. Records include: correspondence, grant applications, labels, newsletters, newspaper articles, drawings, notes, phone messages, slide list, statements of agreement, photocopies of documents outlining the layout and budget for the exhibit, inventories of materials used and notes on the exhibit graphics, photocopies of photos selected for the exhibit, and copies of the text for the didactic panels.

Consists of records relating to grant applications and accounting.

Consists of photographs illustrating life in La Push. When Jensen first arrived in 1972 it was the first time she had been to the Northwest coast: she found it fascinating and took photographs of everything she saw. Throughout the time that Jensen and Powell worked with the Quileute, Jensen recorded activities and people in the community. These images were often used in the education materials that they produced.

Consists of field notes taken during Powell’s research into current uses of Chinook Jargon by the Quileute, as well as correspondence with other academics and linguists.

Contains the records and drafts used in the creation of the "Chinook Jargon Dictionary."

Consists of photographs documenting Jensen and Powell’s trip to Village Island and New Vancouver in 2005. People included are: Bill Holm, Marty Holm, Bill Cranmer, Emma Tamilin, William “Wah” Wasden Jr., Jay Stewart, Guy Buchholtzer, Dr Pat Shaw, Dr Marie Mauze, Bruce White, Jack Knox, Debra Brasser, Judy (surname unknown), and skipper Bill McKay.

Consists of photographs taken at a number of potlatches over the years. Includes: Roy Cranmer 1980; Wm T. Cranmer 1983; Speck Potlatches; Alice Smith 1994; Margaret Cook 1995; Peter Knox 1995; Big House Opening 1999; and others.

Consists of photographs, in the form of negatives, prints and slides, taken during the period that Jensen and Powell lived and worked in the Western Gitxsan villages. The images include photographs that were used to illustrate the language books being produced, and other photographs that documented the culture and way of living in these communities.