- 133-01-08-02
- Sub-séries
- 1995 - 2001
Subseries contains files related to repatriation requests, policies, committees, ceremonies and forums.
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Subseries contains files related to repatriation requests, policies, committees, ceremonies and forums.
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Subseries contains files related to the Museum of Anthropology permanent exhibition
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Subseries contains files related to courses Anth 431 and 432
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(In)visible: The Spiritual World of Taiwan through Contemporary Art
Parte de Fuyubi Nakamura fonds
This subseries consists of records of the exhibit (In)visible: The Spiritual World of Taiwan through Contemporary Art/形(無)形-台灣當代藝術的靈性世界 (November 20, 2015 – April 3, 2016).
Records include copes of the (In)visible Museum Note, materials from the artists involved in the (In)visible exhibition, and their contractual agreements to participate in the exhibition, media about the exhibition (advertisements, articles, reviews), and internal MOA documentation on the exhibition development (planning, programming, proposals, budgets, object list, research materials).
The records are organized into the following files, according to Nakamura's original order when given to MOA Archives.
• The Museum Note, invitation, postcards
• The Museum Note (other versions)
• Artists agreements
• Taiwan
• Chiu Yu-wen
• Plannings and programs
• Walis Labai
• General proposals and scope
• Budgets
• Anli Genu
• Object list
• Li Jiun-Yang
• Yuma Taru
• Advertisements, articles and reviews
• Contemporary Art from Taiwan
• Contemporary Art from Taiwan August 2014
Records pertaining to the touchable exhibit for the visually handicapped
Parte de Margaret Stott fonds
Sub-series consists of various labels and captions, final report, museum tour information, fundraising, as well as published materials and background information pertaining to the “Touchables” exhibit and a previous MoA exhibit for the blind. Colour slides depict a variety of Northwest Coast Indian objects. Sub-series also contains program assessment, publicity information and contracts.
Photographs collected 2024 or later
Parte de MOA General Media collection
Parte de Paddling to Where I Stand collection
Series includes audio and video interviews with Agnes Alfred and other members of the Kwakwaka'wakw community
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Parte de Vickie Jensen and Jay Powell fonds
Consists of tapes and transcripts used to form the text for Where the People Gather. The tapes contain a mix of recordings of Norman Tait teaching/directing the carving of the NEC pole and later poles, and more formal interviews between Jensen and the carvers involved in the projects of this time period.
I Have Seen The Other Side of the World
Parte de Audrey Shane fonds
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Parte de Vickie Jensen and Jay Powell fonds
Consists of Tsimshian language education materials produced by Margaret Seguin and Susan Marsden. The materials were used by Powell for research purposes during his work on the Gitxsan books.
MOA Policies, Guidelines and Procedures
Parte de Madeline Bronsdon Rowan fonds
Personnel, Interns and Friends of the Museum Records
Parte de Madeline Bronsdon Rowan fonds
Committees and Retreats Records
Parte de Madeline Bronsdon Rowan fonds
Parte de Madeline Bronsdon Rowan fonds
Native Education Programmes records
Parte de Madeline Bronsdon Rowan fonds
Parte de Madeline Bronsdon Rowan fonds
Courses and Workshops for the Faculty of Education
Parte de Madeline Bronsdon Rowan fonds
Senior Instructor in the Department of Anthropology
Parte de Madeline Bronsdon Rowan fonds
Parte de Madeline Bronsdon Rowan fonds
Chinese Peasant Textiles Art: Kwantung and Szechuan Provinces
Parte de Elizabeth Johnson fonds
Subseries consists of records relating to the exhibit, “Chinese Peasant Textiles Art.” This exhibit was proposed by Elizabeth Johnson and carried out by students. Records include notes, excerpts from articles, visitor survey forms, handwritten notations, hand-drawn diagrams of display cases, proposals and budgets.
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