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Consists of photographs taken of social events and carvers connected to the Tait project, but not officially part of the project itself. Jensen was invited to a number of feasts and parties hosted by the Tait family, which she often photographed, making a gift of the pictures to the family members. At one of the parties, a family member performed a dance wearing a mask made to represent Jensen and her camera, complete with the sound of the shutter. In addition to events, Jensen met a number of artists, both Indigenous and non-Indigenous, through her acquaintance with the Taits, and she often photographed them.

Consists of photographs in print and slide format documenting Gitxsan artists, both amateur and professional, that Jensen and Powell worked with or knew personally during their time living with the Gitxsan.

Contains one unpublished manuscript of a book titled Gitxsan Stories. The stories were told by Edith Gawa and recorded by Jensen.

Consists of copies of six notebooks kept by Powell during the first two years of his work with the Haisla speaking people. Notebooks contain notes taken during interviews in Kitamaat.

Subseries consists of one file of correspondence and notes relating to a proposed exhibition of Peruvian artifacts in conjunction with the Canadian Cultural Property Export Review Board.

Subseries consists of one file relating to an exhibition, proposed by Ulli Steltzer to Elizabeth Johnson, on the subject of a photograph exhibit representing indigenous and ethnic minorities in China. The subseries includes a project proposal: stage 1, correspondence, and memoranda.

Subseries consists records relating to the exhibit "Translations of Traditions: Joanna Staniszkis’ Recent Work". The exhibit was co-curated by Louise Jackson and Elizabeth Johnson of MOA, with Johnson acting as exhibit coordinator. It was installed in Gallery 5 at MOA from Feb 18 to May 24, 1992. Joanna Staniszkis is an internationally known Canadian textile artist. Records include: agreements, articles from newspapers and professional journals, brochures, budget, CHIN artifact list printout, conference speaking notes, correspondence, drafts of text for the didactic panels, exhibit diagram, flyer, final report, funding application, memos, notes, permission forms, phone message, a student paper, slides and a timeline.

Subseries consists of records relating to the exhibit, The Unity Quilt. Elizabeth Johnson was coordinator and co-curator with Ellen Antoine of the Indian Homemakers of BC. This exhibit focused on work made by participants in the Traditional Parenting Skills Program of the Indian Homemakers’ Association of B.C. Records include: correspondence, MOA exhibit proposal form (blank), exhibit labels, memos, notes, press release, photographs, negatives, slides, and participant statements.

Subseries consists of records relating to the exhibit “My Ancestors are Still Dancing” at MOA. As part of a “living” exhibition, Tsimshian weaver William White from Lax Kw’alaams was commissioned to publicly weave a child-size robe in Gallery 8. The exhibit displayed William White’s weavings, historical weavings from MOA’s collection, and historical and contemporary photographs of people wearing Chilkat regalia. The exhibit was installed in 2001 and ran through until September 28, 2002. Records include acquisition/artifact lists, artist biography, budget, correspondence, exhibit labels, exhibit proposals, exhibit panel layouts, exhibit resource binders, grant applications, internal forms (consent forms), installation diagrams, map, meeting agendas memoranda, notes, object records, photographs and slides, photocopies of photographs, professional guidelines, reports, schedules, recorded audio research interviews, transcripts of research interviews, travelling exhibit, and visitor comments.

Subseries consists of records pertaining to collections’ administrative and operational functions, and to committees associated with the acquisition and collection of materials and artifacts. Records include acquisition guidelines drafts, acquisition policy memoranda, acquisitions professional guidelines policy, Anthropology 431 syllabus, area committee records, articles, budgets, cataloguing procedures, collections policy drafts, collections procedures, collections reports, collections surveys, condition reports, correspondence, deaccessioning policy draft, draft guidelines, draft code of ethics, draft policies, ethnology collection storage statistics, executive committee records, job description, job posting, insurance, loan forms, memoranda, minutes, notes, object lists, professional guidelines, project overviews, research notes, transcripts of research interviews, and workshop for curators outline.

Subseries consists of records relating to planning for MOA’s fiftieth anniversary celebrations. The records in this file consist of notes, minutes, memoranda, correspondence, agendas, events schedules, requests for funds.

Subseries consists of records relating to an event entitled Convergence hosted by the Handweavers Guild of America. In particular the records in this series focus on the Museum of Anthropology’s involvement and correspondence supporting the 2002 Convergence in Vancouver, hosted by the Greater Vancouver Weavers’ and Spinners’ Guild. Records relating to the event planning activities include correspondence, letters of reference for participants in the event, presentation and seminar proposals, artist biographies, resumes, business cards, delegate registration book, schedules, roles and responsibilities, guidelines, planning notes, textile list, culturally sensitive object list, workshop descriptions and schedules, loan receipts, memoranda, Shuttle Spindle & Dyepot periodical, and ephemera.

Subseries consists of records relating to staff retreats from 1978 to 1982. The records included in this series are notes.

Series consists of records relating to Elizabeth Johnson’s statement of goals, and records relating to her projected activities as curator and her responsibilities for the MOA Archives outlined in a three-year plan. Records include statements of goals, program plans, memoranda, and correspondence.

Subseries consists of records relating to a course taught by Elizabeth Johnson at the University of Alberta in Edmonton. The course was entitled ‘Curatorial Research’ and was offered by the department of Clothing and Textiles records. Records in this series include correspondence notes a syllabus, receipts, and lecture outlines.

Subseries consists of a record relating to Elizabeth Johnson’s activities as instructor for Anthropology 302. Record consists of a lecture outline.

Subseries consists of a handmade, laminated booklet about the preservation and display of textiles. The book was made by Elisa Dubuc while she was an intern at MOA. The book was created to introduce visitors to the textile collection.

Consists of photographs documenting the weekly basketry class that Jensen and Powell attended for two years in La Push.

Consists of photographs taken for the series of education books called Counting books in the Big Book series. These images were staged specifically for this purpose and included many traditional activities, such as digging for camus bulbs