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Series consists of images found in or related to Carter’s 1972 published work. Focus is on photographic representations of First Nations communities and individuals throughout British Columbia, including multiple images of Chief Dan George (Tsleil-Waututh nation). Series also includes images of totem poles and villages of Ans’pa yaxw (Kispiox) and Gitsegukla nations. Files are generally arranged chronologically according to subject matter and/or locality. Except where noted with square brackets, the titles for files and items in this series were taken from annotations on the original material.

Series consists of images related to the University of British Columbia in Vancouver, BC and the Museum of Anthropology (MOA). Focus is on photographic representations of First Nations artists and artwork, including MOA installations and exhibits by Robert Davidson, Jr., Sharon Hitchcock, Henry Hunt, Gerry Marks, Rufus Moody, Norm Tait, and Francis Williams. Series also includes images of installations for the National Museum of Ethnology in Osaka, Japan. Files are generally arranged chronologically according to artist and/or subject matter. Except where noted with square brackets, the titles for files and items in this series were taken from annotations on the original material.

Series consists of images found in or related to Carter's 1969 published work. Focus is on photographic representations of First Nations communities and individuals throughout Haida Gwaii. Geographic locations include Anthony Island (Ninstins), Masset, Skedans, Skidegate, Tanu and Yan. Series also contains images related to the 1969 Masset pole raising ceremony in honor of Robert Davidson, Jr. Files are generally arranged chronologically according to subject matter and/or locality. Except where noted with square brackets, the titles for files and items in this series were taken from annotations on the original material.

Series consists of materials related to Carter’s work as a photographic correspondent, primarily from Carter's work for Canada Rides Magazine documenting HRH Prince Charles' visit to Alberta for the centennial of the Treaty 7 signing between the Crown and Blackfoot First Nations. Files include photographs, textual materials, and other ephemera.

Series consists of records related to Carter’s family life and travels with Minn Sjolseth, general research, self-published writing projects, and the posthumous management of his estate by Alan and Laila Campbell. Records include photographs taken by Carter, research photographs and articles, drafts by Carter and Alan Campbell, self-published materials, notes and poetry, correspondence, various certificates and licenses, and scrapbooks. The series also includes files that contain personal photographs mixed with photographs from publications documented in other series in this fonds. Wherever possible, links have been made to the relevant file in other series.

Series consists of records pertaining to the work Powell has done in Kitamaat Village.

In 2000 Powell began working on the Haisla Traditional Use Study (TUS) with community members Gerald Amos, Rod Bolton and Louise Barbetti. For the TUS, Powell conducted interviews and checked information gathered against textual archival records of the region. The first year of the project was funded by the BC Ministry of Forests, and the second year with a federal grant. At the end of the second year, the study was completed with a report on the Haisla concept of ownership.

Upon completion of the TUS, Powell stayed on with the Haisla to work on outlining ownership in the regional watersheds to be used in Land and Resource Management Planning (LRMP) negotiations. This led to the creation of a book on Haisla land ownership and other traditions, explained using oral histories, to be distributed during a Unity Feast hosted by Chief Steve Wilson.

As he was working on the Haisla Unity Feast Book, Powell started to push for the development of a Haisla curriculum package for the schools in the Kitimat area. In the summer of 2005 Jenson travelled with Powell to Kitlope and photographed many of the areas included in the traditional oral histories of the region. This trip led to the creation of a curriculum booklet called By Punt to the Kitlope. The pamphlet was so successful that Powell was commissioned to create a booklet for the whole of the traditional Haisla territory. Beginning work on this project led to the discovery that most of the Haisla trapline registrations had lapsed or had been passed on to the incorrect person, owing to confusion between the traditional matrilineal method of inheritance and the emerging patrilineal way of passing on title. Powell embarked on a project with Rod Bolton to re-register Haisla traplines in a way that made sense to the community.

In 2006 Vickie “Eden” Robinson was hired to assist Powell in the creation of an archives for the Haisla, based on the material accrued during the time of Powell’s work in Kitamaat.

In 2008 the Kitamaat Village Council signed a two year contract with Powell. He will work for two weeks out of every two months to complete the remaining outstanding projects, including a Haisla place names map, the introduction to Haisla territory.

The series consists of five sub-series:
A. Notebooks
B. Reports
C. Publications and research material
D. Photographs
E. Interviews

Series consists of an evaluation and research notes relating to the summer and Sunday educational programmes offered at the Museum of Anthropology. This includes records pertaining to youth, senior, Haida House and English as a Second Language (ESL) programming.

Series consists of proposals, memorandums, classification scheme, receipts, shipping lists, surveys, reports photographs and research notes pertaining to Madeline Bronsdon Rowan's curatorial function of producing "touchable" artifact kits and educational curriculum units.

Series consists of workshop notes, curriculum unit notes, reports, photographs, slides and negatives pertaining to native studies programmes offered at the Museum of Anthropology and Madeline Bronsdon Rowan's work on the Native Youth Project, the Coast Salish Project, the Spirit Song Project, and the Native Indian Youth Advisory Committee. Also included are audio tapes and workshop notes pertaining to the North West Coast workshop.

The series is divided into the following sub-series:
A) Native Education Programmes records (1969-1984)
B) Coast Salish Project records (1975,1983-1984)
C) Native Youth Project records (1979-1987)

Series consists of slides and a video for the film production UBC MOA An Introduction to its History with Madeline Bronsdon Rowan.

Series consists of records relating to special projects and events hosted by or produced in whole or in part by the Museum of Anthropology. Also included are records pertaining to special projects and events coordinated, proposed and/or chaired by Elizabeth Johnson. Records include memoranda, minutes, correspondence, request for funds, address lists, handwritten notes, a press release, donor proposal, budgets, object lists, invitation cards, business cards, photocopies of business cards, a photocopy of a newspaper article, draft reports, itineraries, financial records, maps, photographs, slides, oversized posters, audio cassettes, two CD-Rs and a condition report.

The series is arranged into the following subseries:
Subseries A. Ming Pau
Subseries B. V.A.G. Delegation
Subseries C. Fiftieth Anniversary
Subseries D. Canadian Museums Association
Subseries E. Convergence 2002
Subseries F. Wong Toa Anniversary exhibit
Subseries G. Jin Wah Sing Musical Association
Subseries H. Cantonese Opera
Subseries I. Opera in the Museum book proposal
Subseries J. Collaborative process
Subseries K. Delegations
Subseries L. Photos for publication
Subseries M: Photos
Subseries N: Honouring Master Wong Toa [Restricted]
Subseries O: Costume source book
Subseries P: Shuswap travelling display
Subseries Q: Grant applications
Subseries R: CFI
Subseries S: Musqueam Heritage Awareness Program

Series consists of printed materials sent from Kojo Sakamoto to the Binnings related either to the Bishop’s own art, or that of his mentor, Tomioka Tessai. Printed material comes in the form of exhibit catalogues, brochures, pamphlets, and newspaper clippings. A collection of encapsulated photographs from an undated calligraphy exhibit is also found in this series.

Series consists of photographs of, in, and around The Museum of Anthropology during the APEC Leaders’ Meeting, including images of the APEC leaders, protesters, and the staff at MOA.

Series consists of records related to events and performances held at the Museum of Anthropology and the publicity received by these events and performances, particularly publicity generated by the Public Relations and Communications Office. In addition to records regarding general events and performances, the series include records related to special visits made to the museum by Queen Elizabeth II, Prince Charles, Princess Margaret, Premier Brian Mulroney, Premier Zhao of China, and King Juan Carlos of Spain, records regarding trips sponsored by the museum, as well as calendars of events produced by the Public Relations Officer between 1984 and 1990.

Series is divided into the following sub-series:

A. General events and performances files, [ca.1977]-2008
B. Special visits files, 1983-2004
C. Calendars of events files, 1979-1997
D. Museum of Anthropology trips files, 1981-1984

Series consists of slides representing the inventory of Central Coast Salish art photographed by Dr. Kew during his visits to various North American museums and the British Museum in preparation for the exhibition Visions of Power Symbols of Wealth: Central Coast Salish Sculpture and Engraving. The images illustrate a wide variety of traditional art objects including masks, adzes, spindle whorls, mat creasers, and totems poles, as well as various jewelry, instruments, and utensils. The series also includes two volumes of the Central Coast Salish Computerized Art Inventory, which provides a detailed physical description of each art object.

Series consists of textual records and photographs related to funding received by the Public Relations and Communications Office and the Museum of Anthropology. Includes records related to public relations budgets, campaigns to raise funds for the museum, grants and trusts applied for or received by the museum, as well as records regarding sponsorship by Corporate Friends of the Museum and museum members.

The series has been divided into the following sub-series:

A. Public Relations budget files, 1981-1989
B. Fundraising files, 1985-1986
C. Grants and trusts files, 1983-1985
D. Corporate Friends of the Museum files, 1981-1986
E. Museum of Anthropology membership files, [198-]-1989

Series consists of textual records, photographs, and other graphic material related to the advertising and promotional activities of the Public Relations and Communications Office, as well as its function as liaison with the media and its use of various forms of media to communicate with the public. Includes records relating to Museum of Anthropology advertisements and publicity, as well as records related to the Office’s media contacts and relations, television and film projects filmed at the museum, as well as records related to the production and distribution of Museum of Anthropology publications.

The series includes the following sub-series:

A. General media activities files, 1975-2014
B. Proposal files, 1977-1985
C. Coupon book and museum passes promotion files,1983-2014
D. Tourism related promotions files,1980-2015
E. Television and film files, 1981-2012
F. Museum publications files, 1981-2004

Series consists of records related to the research and composition of the W. and M. Koerner collection catalogues.