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Carving the St. Catherines pole, early stages
Fait partie de Virginia Kehoe fonds
Image depicts Douglas Cranmer in the early stages of carving the St. Catherines totem pole. The pole is outside.. He is using an adze to make early cuts on a pole.
Fait partie de Virginia Kehoe fonds
Image depicts a frontal view of the base of a small-scale totem pole in front of a door. A seated human figure is visible. See items a034476 - a034482 for other views of this pole.
Fait partie de Virginia Kehoe fonds
Image depicts an offside view of a totem pole which appears to have a Thunderbird on the top. Views of this pole can be seen in items a034487 - a034492.
Thunderbird totem pole, front view
Fait partie de Virginia Kehoe fonds
Image depicts a frontal view of a totem pole which appears to have a Thunderbird on the top. Several other creatures, one possibly human, can be seen from this perspective. Views of this pole can be seen in items a034487 - a034492.
Thunderbird totem pole, frontal base view
Fait partie de Virginia Kehoe fonds
Image depicts a frontal view of the base of a totem pole. From this perspective one possibly human figure can be seen. The figure at the base of the pole appears to have only a head and be wearing a mask.. Views of this pole can be seen in items a034487 - a034492.
Thunderbird totem pole and Douglas Cranmer
Fait partie de Virginia Kehoe fonds
Image depicts a front and side view of a Thunderbird totem pole with Douglas Cranmer seated next to the pole. Views of this pole can be seen in items a034487 - a034492.
Thunderbird totem pole, side view
Fait partie de Virginia Kehoe fonds
Image depicts a side view of a Thunderbird totem pole. The Thunderbird's head and neck are clearly visible. Underneath a human figure and a head appear. Views of this pole can be seen in items a034487 - a034492.
Carving a partially finished totem pole
Fait partie de Virginia Kehoe fonds
Image depicts a man, possibly Douglas Cranmer, carving on a partially finished totem pole as a man and woman look on. Vintage cars are visible in the background.
Fait partie de Virginia Kehoe fonds
Image depicts Douglas Cranmer in the process of removing bark from a tree. Vintage cars are visible behind him.
Fait partie de Virginia Kehoe fonds
Image depicts Douglas Cranmer in the process of carving a pole. The early cuts are made with a chain saw.
Fait partie de Virginia Kehoe fonds
Image depicts Doug Cranmer using a jack to raise the end of a large tree trunk.
Fait partie de Virginia Kehoe fonds
Image depicts carver Doug Cranmer using a chain saw to make early cuts on a pole.
Fait partie de Virginia Kehoe fonds
Image depicts a partially carved totem pole resting on the ground. Doug Cranmer is visible in the lower left corner of the image; another carver works on the pole. A can of paint is visible, but not in use.
Inspecting a partially carved pole
Fait partie de Virginia Kehoe fonds
Image depicts Doug Cranmer and another carver, possibly Godfrey Hunt, with a partially carved pole. A man and a woman observe the work.
Finished pole ready for transport
Fait partie de Virginia Kehoe fonds
Image depicts a completed pole, wrapped and enclosed in a wooden frame, ready for transport. Image appears to have been taken at a loading dock.
Fait partie de Virginia Kehoe fonds
Image depicts three carvers working on a totem pole. The centre carver is Doug Cranmer; the man on Cramner's right may be Godfrey Hunt. A woman works, possibly sanding, image right.
Fait partie de Virginia Kehoe fonds
Image depicts Doug Cranmer preparing to make a rubbing image (using kraft paper and crayon) of the carving on a totem pole. Another person, possibly Godfrey Hunt, assists by holding the paper.
Fait partie de Virginia Kehoe fonds
Image depicts Doug Cramner carving a totem pole.
Mungo Martin working on a totem pole
Fait partie de MOA General Media collection
Mungo Martin working on a totem pole.
Fait partie de MOA General Media collection
Bill Reid and Doug Cranmer carving the frontal plaque of double mortuary pole to be displayed near the Haida house at totem park. The pole (A50032) is now at MOA, on the grounds behind the museum.