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Alert Bay, Johnson Strait

Image of a totem pole near a graveyard. This image is printed on page 26 of Carter's book "from History's Locker," with the caption: "View from the graveyard at Alert Bay looking across Johnston straits toward Vancouver Island."

Sem título

Chief Johnson, Fort Rupert, Alert Bay

Image of Chief Johnson of Fort Rupert, BC. A similar image of him is printed on page 36 of Carter's book "From History's Locker," with the caption: "He is the Head Chief over all Kwakiutl Nation, his Indian name is 'Kla-Kwa-Gila' which means, 'Place where they make coppers." At 97 years he is a fine looking man."

Sem título

Chief Johnson, Fort Rupert, Alert Bay

Image of Chief Johnson of Fort Rupert BC with a group of three men and one woman (all unidentified). A portrait of Johnson from what appears to be the same photoshoot is printed on page 36 of Carter's book From History's Locker, with the caption: "He is the Head Chief over all Kwakiutl Nation, his Indian name is 'Kla-Kwa-Gila' which means, 'Place where they make coppers." At 97 years he is a fine looking man."

Sem título

Kwakiutl longhouse, Kingcome Inlet

Image of the interior carved columns of a Kwakiutl longhouse at Kingcome Inlet, BC. A long canoe runs the length of the centre of the longhouse.

Sem título

Kwakiutl longhouse, Kingcome Inlet

Image of the interior carved columns of a Kwakiutl longhouse at Kingcome Inlet, BC. A long canoe runs the length of the centre of the longhouse.

Sem título

Kwakiutl longhouse, Kingcome Inlet

Image of the interior carved columns of a Kwakiutl longhouse at Kingcome Inlet, BC. A long canoe runs the length of the centre of the longhouse.

Sem título

Alert Bay memorial pole

Image of a memorial pole at Alert Bay. Inscription at the bottom held by the figure reads "In loving memory of Tlaowa Latle of the Qiowasudinuk (Kwakwaka'wakw: Kwikwasut'inuxw) Tribe. Died Nov. 9 [rest of inscription illegible].

Sem título

Old house posts, Hope Island

Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."

House posts and beam, Quatsino, BC

Image of the houseposts and beam of what once was a longhouse in Quatsino, BC, on the north end of Vancouver Island. These posts appear to be the same as posts now houses at the Museum of Anthropology (museum item number A50009 a-c). The poles are described on the museum's catalogue: "Two upright posts and crossbeam that were part of a large interior house frame (also see records d-f and g-h). The uprights depict sea lions carved in high relief and painted (parts a-b). Their heads are equal size to their bodies. Both part a and b have an eagle in profile within the sea lions front flippers. Part a has a top portion of a face painted on the back of its head that is part of a sisiutl that runs down the seal lions back and into its hind flipper with a serpent's head in each. The cross-beam (part c) is painted and carved as a supernatural double-headed sea lion. All parts are painted black and white with Northwest Coast stylized forms... The Klix'ken (sea lion) House was commissioned by Tza'kyius around 1906, and was the last old style house erected in Xwatis. The beams and figures stood as part of a house frame, and acted as structural supports. Figures represented on house frames were supernatural beings which the family living in the house had the right, through their history and origins, to represent."

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