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archivistische beschrijving1474 results with digital objects Show results with digital objects
- 25-05-12-a039619
- Stuk
- [197-]
Part of Anthony Carter fonds
Image of an unidentified landscape
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- 25-05-12-a039625
- Stuk
- [197-]
Part of Anthony Carter fonds
Image of memorial pole when it stood at UBC's Totem Park. The pole is now part of MOA's collection.
The pole was carved at UBC for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. This pole is based on the beaver pole standing at the north end of Skidegate. The raven figure was removed from the top of the pole in Sept. 2005 due to its poor condition and safety concerns .
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House Frontal Totem Pole, UBC Totem Park
- 25-05-12-a039633
- Stuk
- 1977
Part of Anthony Carter fonds
Image of a pole carved as the frontal pole for the front of the Haida house, at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
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- 25-05-12-a039635
- Stuk
- 1977
Part of Anthony Carter fonds
Image of memorial pole when it stood at UBC's Totem Park. The pole is now part of MOA's collection.
The pole was carved at UBC for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. This pole is based on the beaver pole standing at the north end of Skidegate. The raven figure was removed from the top of the pole in Sept. 2005 due to its poor condition and safety concerns .
Zonder titel
- 25-05-12-a039636
- Stuk
- 1977
Part of Anthony Carter fonds
Image of memorial pole when it stood at UBC's Totem Park. The pole is now part of MOA's collection.
The pole was carved at UBC for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. This pole is based on the beaver pole standing at the north end of Skidegate. The raven figure was removed from the top of the pole in Sept. 2005 due to its poor condition and safety concerns .
Zonder titel
- 25-05-11-a039638
- Stuk
- 1978
Part of Anthony Carter fonds
Image of totem poles displayed at the Museum of Anthropology at UBC
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- 25-05-11-a038761
- Stuk
- 1976
Part of Anthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC.
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- 25-02-01
- Bestanddeel
- [1944?]
Part of Anthony Carter fonds
File contains a portrait of Rudy Danielson, at Alliford Bay seated on a hillside holding a shotgun.
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- 25-02-06
- Bestanddeel
- 1967-1968
Part of Anthony Carter fonds
File consists of images from the Tanu village site in Haida Gwaii.
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Haida nations community members
- 25-02-08
- Bestanddeel
- 1967-1973
Part of Anthony Carter fonds
File consists of images of men, women, and a girl from Haida Gwaii.
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- 25
- Archief
- [194-]-2018, predominant 1966-1979
The fonds consists of photographs, transparencies, negatives, prints, slides, textual records and objects. Contents of the fonds primarily reflect First Nations cultures in British Columbia between 1960 and 1980, including the Haida, Coast Salish (formerly Burrard Reserve), Kwakiutl (Kwakwaka'wakw), Gitsegukla and Ans'pa yaxw (Kispiox) nations. Notable First Nations personalities and artists documented include Chief Dan George, Gerry Marks, Henry Hunt and Norman Tait. Contents also include: B.C. landscapes such as Gwayasdums (Gilford Island), Klemtu, Mamalilikulla and Uchucklesaht; First Nations children; First Nations exhibits, totem poles and installations at the University of British Columbia in Vancouver and for the National Museum of Ethnology in Osaka, Japan. The original accession was arranged in series according to Carter's published works which focus on specific localities, communities, individuals and subject matter, with additional series related to Carter's photojournalistic work and personal recordkeeping added in 2019 when an accrual was made to the fonds.
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