Showing 19 results

File consists of a collection of media (advertisements, articles, reviews) which mention or relate to the (In)visible exhibition. Media are from Canada and Taiwan.

File consists of materials relating to the work of artist Anli Genu, which are a printed image of the "My Cross" artwork, and an article on Anli Genu and their thoughts on contact between the Atayal and Christianity.

File consists of artist agreements, between MOA and the following artists: Charwei Tsai, Tu Wei-Cheng, Chiu Yu-wen, Yuma Taru, Li Jiun-Yang, Walis Labai, and Lai An-Lin (Anli Lai, Anli Genu).

File consists of budgets relating to the exhibition.

File consists of materials relating to the work of artist Chiu Yu-wen, which are 8 paper cutouts.

File consists of resources on Taiwanese history, culture, art, places, religion, politics, language; these are mostly academic articles.

File consists of resources on an exhibition of contemporary Taiwanese art.

The series consists of materials related to Fuyubi Nakamura's participation in the creation and operation of exhibitions. Currently this exclusively relates to records of the exhibit (In)visible: The Spiritual World of Taiwan through Contemporary Art/形(無)形-台灣當代藝術的靈性世界 (November 20, 2015 – April 3, 2016).

The fonds consists of materials related to Fuyubi Nakamura's role as Curator of Asian Collections at the Museum of Anthropology (2014-present). Currently this exclusively relates to records of the exhibit (In)visible: The Spiritual World of Taiwan through Contemporary Art/形(無)形-台灣當代藝術的靈性世界 (November 20, 2015 – April 3, 2016).

File consists of documents relating to the exhibit's proposal and scope, including an exhibit proposal statement of intent, a description of the exhibit, curator, and participating artists, excerpts of works to be presented, a report on "Spotlight Taiwan at MOA" of project and projections for the next year, and meeting notes from the exhibit team.

This subseries consists of records of the exhibit (In)visible: The Spiritual World of Taiwan through Contemporary Art/形(無)形-台灣當代藝術的靈性世界 (November 20, 2015 – April 3, 2016).

Records include copes of the (In)visible Museum Note, materials from the artists involved in the (In)visible exhibition, and their contractual agreements to participate in the exhibition, media about the exhibition (advertisements, articles, reviews), and internal MOA documentation on the exhibition development (planning, programming, proposals, budgets, object list, research materials).

The records are organized into the following files, according to Nakamura's original order when given to MOA Archives.
• The Museum Note, invitation, postcards
• The Museum Note (other versions)
• Artists agreements
• Taiwan
• Chiu Yu-wen
• Plannings and programs
• Walis Labai
• General proposals and scope
• Budgets
• Anli Genu
• Object list
• Li Jiun-Yang
• Yuma Taru
• Advertisements, articles and reviews
• Contemporary Art from Taiwan
• Contemporary Art from Taiwan August 2014

File consists of materials relating to the work of artist Li Jiun-Yang, which are a print off of the artist's biography (from Art Island: An Archive of Taiwan Contemporary Artists), and several original sketches and notes on paper.

File consists of the spreadsheet of the objects included in the exhibit.

File consists of planning and program documentation, including a due date chart, non-MOA brochures, a loan request, details for an exhibition planning trip, forum papers ("Art and Religious Diversity in Taiwan"), exhibit layout maps, and a list of students and volunteers assisting with the exhibit.

File consists of postcards, a copy of the "Enjoying Taiwan's Museums" publication, and a copy of the "Reflected Images of Indigenous Peoples in Taiwan" publication.

File consists of a copy of (In)visible; The Spiritual World of Taiwan Through Contemporary Art (MOA Museum Note #43) which is from the second print run, and which was used for display in the exhibit. File also contains a copy of (In)visible; The Spiritual World of Taiwan Through Contemporary Art (MOA Museum Note #43) which is from the original print run, and is incorrectly bound. The quality of printing paper is different.

File consists of a copy of (In)visible; The Spiritual World of Taiwan Through Contemporary Art (MOA Museum Note #43), a brochure of the exhibit, postcards, and an invitation to the opening event.

File consists of materials relating to the work of artist Walis Labai, which are 4 lenticular images (originally covers for CD cases), and a folder.

File consists of materials realting to the work of artist Yuma Taru, which are postcards, an invitation to opening of exhibition "Rainbow and Dragonfly: Where the Atayal Clothing Meet the Paiwan Multi-colored Glass Beads" at the National Taiwan Museum and a brochure relating to that event, cards displaying images of objects from the National Taiwan Museum, and a pamphlet.