- 102-02-L-08
- File
- 2009
Part of Karen Duffek fonds
Part of Karen Duffek fonds
Part of Karen Duffek fonds
The fonds relate primarily to research Karen Duffek conducted and exhibitions she curated or was involved in. In addition, some files relate to publications Duffek wrote. Files consist of research materials, exhibition planning and implementation, publications and articles, correspondences, and artist interviews.
The fonds is arranged into the following two series:
Karen Duffek
John Wynne 2013 [Anspayaxw exhibit] Satellite Gallery
Part of Karen Duffek fonds
Part of Karen Duffek fonds
Ishiuchi Miyako “ひろしま Hiroshima”
Part of Karen Duffek fonds
This sub-series consists of records relating to “ひろしま Hiroshima,” an exhibition of photographs by Ishiuchi Miyako. The exhibition, which had never previously been displayed outside of Japan, consists of photographs of clothing and accessories of victims of the 1945 bombing of Hiroshima. “ひろしま Hiroshima” opened at MOA on October 14th, 2011, and ran until February 12th, 2012.
Records within the sub-series include the exhibition proposal, budgets, reports, grant applications, correspondence, images of artworks, interview transcripts, the exhibition’s comment log-book, promotional materials, and press cuttings.
Part of Karen Duffek fonds
Images of Northwest Coast objects in German museums
Part of Karen Duffek fonds
Part of Karen Duffek fonds
Hiroshima: Migako Ishiuchi – Oct 13, 2011 to Jan 29, 2012
Part of Karen Duffek fonds
Hiroshima – PR + programs + relevant resources + reviews
Part of Karen Duffek fonds
Part of Karen Duffek fonds
Hayati Mokhtar & Dain-Iskander Said
Part of Karen Duffek fonds
Part of Karen Duffek fonds
Part of Karen Duffek fonds
Part of Karen Duffek fonds
Part of Karen Duffek fonds
Part of Karen Duffek fonds
Part of Karen Duffek fonds
Series consists of records relating to exhibits Karen Duffek curated or was involved with in another capacity. The records span the entire breadth of the intellectual creation process, including research, funding, administrative concerns, exhibition design and installation, and publication. The series includes supplemental information about artists’ careers, correspondences, contracts, final reporting, publications relating to artists and the exhibitions, grant applications, educational exhibit materials, transcripts of interviews and public lectures, event planning, budgets, photographs, as well as exhibition publication development.
The series is arranged into 12 sub-series, each one relating to a specific exhibition:
Sub-series 2-A: Robert Davidson: “The Abstract Edge” (2004-2005)
Sub-series 2-B: Edgar Heap of Birds: “Wheel: Overlays” (2007)
Sub-series 2-C: Mike Nicholl [Yahgulanaas]: “Meddling in the Museum” (2007-2008)
Sub-series 2-D: Willy White: “My Ancestors are still Dancing” (2002-2004)
Sub-series 2-E: Bill Reid: “Gathering Strength” (2000-2004)
Sub-series 2-F: Multiplicity: A New Cultural Strategy (1993-1994)
Sub-series 2-G: Carl Beam Exhibit (2011)
Sub-series 2-H: Nicholas Galanin: “Raven and the First Immigrant” (2010)
Sub-series 2-I: Annie Ross: “Forest One” (2012)
Sub-series 2-J: “A Green Dress: Objects, Memory, and the Museum” (2011-2012)
Sub-series 2-K: Ishiuchi Miyako “ひろしま Hiroshima” (2011-2012)
Sub-series 2-L: Border Zones: New Art Across Cultures (2010)
Sub-series 2-M: Bill Reid: Beyond Essential Form (1986)
Sub-series 2-N: Anspayaxw (Satellite Gallery, 2013)
Sub-series 2-O: Cindy Sherman meets Dzunuk'wa (Satellite Gallery 2014)
Exhibit Tour Ideas and Correspondence
Part of Karen Duffek fonds