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Audio of Bomboret and Saratzari. "Bomboret" refers to Bumburet valley, Chitral District, Khyber Pakhtunkhwa province, Pakistan.

Both sides of this tape record the Winter Solstice Festival "Chau Maus". During the solstice festival, several different celebrations are enacted, three different ones of which are included on this tape. See Field Note Book #1, pp. 83-85 for translations.

Audio of Bomboret, Chau Maus, latch grn
"Bomboret" refers to Bumburet valley, Chitral District, Khyber Pakhtunkhwa province, Pakistan.

Audio of Chau Maus 1976, Chanja Chiōpă.
Side 1 - this entire side records the climax of the winter solstice festival, when the Prophet Messenger God, Balumein is sent back to Nuristan until next year. See Field Note Book# 1 pp.8-15 for translations.

Audio of Bamboret, Lawak Birik, Daok Tatu. "Bomboret" refers to Bumburet valley, Chitral District, Khyber Pakhtunkhwa province, Pakistan.

Side 1 - dance songs by women vocalists, recorded on the day after the climax of the winter solstice festival. This is a day of mime, play, & role reversals (men in.women's dress and vice versa). See Field Book # 1 pp 85-86 for translations.

Audio of Krakal funeral, #299.

Audio of Rombour Chutiyak Joeshi Daginei, Rombour Uchow. 4th of 4 tapes.

Side 1 - The final dance celebrations of the Spring festival Zoeshi (Zoe-shi) in Rombour Valley. Includes the important song Daginai (Da-gin-ai), which can be found at digital counter reading [224]. For translations of this song, see Field Book #3 pp. 129-133. Tape is blank from [236] on.

Audio of Bomboret Joeshi.

Side 1 - myth of how the Kalash god Mahaneo won Bomboret Valley over the god Balumein. See Field Book #3 pp. 31-36 for translations.
Side 2 - examples of women's voices and fast dance music. See Field Book #3 pp 41-46 for translations.

Audio of Bomboret Rat Nat. "Bomboret" refers to Bumburet valley, Chitral District, Khyber Pakhtunkhwa province, Pakistan.

Audio of Rombour Uchow.

Side 1 - love song by Kush Hawaz at digital counter [350]. Nawaz was the most talented orator in all 3 Kalash Valleys (Balereh clan, Balanguru village, Rombour Valley). See Field Note Book #4 pp. 57 for translation.

Tape #C of Rombour Uchow, from set of 4 tapes.
Side #1 only.

Tape #A, first in set of 4 tapes.
Side 1 - The first song is the Kalash women's theme song for the “bira mor" "sacred male goat sacrifice merit feast". For translations see Book #5 pp. 213. Also on Side 1, 3/4s of this side is a discussion between the powerful men of Rombour Valley deciding who should be presented gifts at the feast; see Field Book #5 pp. 221-229 and Book #6 pp. 18-35 for translations.

Side 1- Kalash flute music by Rahim Bek, Drame-se clan, Rombour.

Side 1 - first 4 songs are love songs sung by a woman in the epic style called drazaiylik (dra-zaiy-lik, aka drazeiylik), which focus on social history. Followed by "Khutabar." See Field Book #3 pp. 174-176 for translations.

Audio of discussion on graze land (land grazing) and conversion to Islam.
From cassette label: 1/2 discussion lost - so some of side A goes with side B

Includes documentation from Gillian Darling Kovanic related to audio tapes in this collection.

Personal account and chronology of winter and spring festivals

Muslim grazing rights in Kalash, Kalash Fall Festival and a Rombour man's funeral

Includes notes on cheese making

Personal observations and reports on Kalash funerals

Handwritten Kalasha dictionary with notes