Portrait of Robert Davidson, Jr. (23 yrs), Haida carver & artist
- 25-05-05-a038571
- Item
- March 1970
Part of Anthony Carter fonds
Portrait of Robert Davidson, Jr. (23 yrs), Haida carver & artist.
Anthony Carter
248 results directly related Exclude narrower terms
Portrait of Robert Davidson, Jr. (23 yrs), Haida carver & artist
Part of Anthony Carter fonds
Portrait of Robert Davidson, Jr. (23 yrs), Haida carver & artist.
Anthony Carter
Potlatch items on display in Montréal
Part of MOA General Media collection
Items from the Museum of Anthropology including house posts, feast dishes, a bentwood box, and model totem poles, on display in Montréal for the Northwest Coast exhibit for "Man and His World".
Potlatch items on display in Montréal
Part of MOA General Media collection
Items from the Museum of Anthropology including house posts, feast dishes, a bentwood box, and model totem poles, on display in Montréal for the Northwest Coast exhibit for "Man and His World".
Potlatch items on display in Montréal
Part of MOA General Media collection
Items from the Museum of Anthropology including house posts, feast dishes, a bentwood box, and model totem poles, on display in Montréal for the Northwest Coast exhibit for "Man and His World".
Members of the Rainbow Creek Dancers, a Haida dance group formed by artist Robert Davidson, perform at the Federal Provincial Tourism Minister's Dinner
Four members of the Rainbow Creek Dancers, a Haida dance group formed by artist Robert Davidson, perform at the Federal Provincial Tourism Minister's Dinner
Members of the Rainbow Creek Dancers, a Haida dance group formed by artist Robert Davidson, perform at the Federal Provincial Tourism Ministers Dinner
(Replica)? Haida dwelling house, Totem Park, UBC, Vancouver
Part of E. Polly Hammer fonds
Mortuary House frontal pole by Bill Reid and Doug Cranmer (1960-61) moved from Totem Park to MOA in 1978.
(Replica) Haida house front and poles #14, 15, 16 + 17, Thunderbird Park, Victoria, B.C.
Part of E. Polly Hammer fonds
(Replica) Haida mortuary pole, Thunderbird Park, Victoria, B.C.
Part of E. Polly Hammer fonds
(Replica) Haida thunderbird and whale #16, Thunderbird Park, Victoria, B.C.
Part of E. Polly Hammer fonds
Part of E. Polly Hammer fonds
(Replica)?, Haida grave house #5, Totem Park, UBC, Vancouver
Part of E. Polly Hammer fonds
Mortuary House frontal pole by Bill Reid and Doug Cranmer (1960-61) moved from Totem Park to MOA in 1978.
(Replica)?, Haida memorial pole #4, 6, Totem Park, UBC, Vancouver
Part of E. Polly Hammer fonds
Double mortuary pole by Bill Reid and Doug Cranmer (1960-61). Moved from Totem Park to MOA in 1978.
(Replica)?, Haida sea wolf #2, Totem Park - UBC, Vancouver
Part of E. Polly Hammer fonds
The Wasgo is a monster of Haida legend that had the ability to transform between wolf and sea creature. Carved and painted by Bill Reid and Doug Cranmer in 1962.
(Replicas)?, mortuary poles (Haida), dwelling house and sea wolf, Totem Park, UBC, Vancouver
Part of E. Polly Hammer fonds
MOA Object ID numbers correspond to poles in the image from left to right.
A50030 carved by Bill Reid and Doug Cranmer (1961-62) as the frontal pole for the front of the Haida house, at the University of British Columbia, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
Part of Gillian Darling Kovanic fonds
The series consists primarily of material accumulated and/or created by Gillian Darling Kovanic during her travels abroad, both as a student of anthropology and a filmmaker. This series includes field research conducted by Kovanic with the Kalash in Pakistan, the Kom/Kati tribes in Pakistan and Afghanistan, the Orissa in India, the Haida on the Queen Charlotte Islands [Haida Gwaii], British Columbia and the Kwakwaka’wakw in Alert Bay, British Columbia. Much of her fieldwork is made up of a study of the languages and cultural practices of the people being studied.
Included in the series are eleven field notebooks, a handwritten Kalash’a dictionary, a notebook containing information on the ethnographic materials collected by Darling, which now reside with the Royal Ontario Museum, and approximately 4502 photographs, including slides, negatives, prints and digital photos. Also included are a number of academic and popular articles collected by Kovanic, which compliment her field research, including a unique, handwritten article by Wazir Ali Shah, secretary to the last ruler of Chital, Mehtar, in 1977, which was written after the original manuscript was lost. The series also contains published material, comprised of a teaching kit titled “Kalash Bread-making: From Field to Feast” and the Wakhi Language Book by Haqiqat Ali.
Gillian Darling Kovanic
Reverend Smith Stanley Osterhout fonds
Fonds consists of 45 glass-plate lantern slides featuring scenes from Osterhout's work with B.C. First Nations, including Haida, Tsimshian and Kwakwaka'wakw. Images document First Nations individuals, communities, totem poles and landscapes of British Columbia.
Smith Stanley Osterhout
Robert Davidson (Jr.), carving
Part of Anthony Carter fonds
Image of Haida artist Robert Davidson Jr., carving a pole.
Anthony Carter
Robert Davidson (Jr.), carving
Part of Anthony Carter fonds
Image of Haida artist Robert Davidson Jr., carving a pole.
Anthony Carter