From Under the Delta: Wet-Site Archaeology in British Columbia’s Lower Mainland.

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Scope note(s)

  • March 1995 - March, 1999
  • This exhibition features rare preserved wood and bark objects dating from the past 4,600 years, most of which have never before been on public view. In consultation with local First Nations, guest curator and archaeologist Kathryn Bernick developed the exhibition with Ann Stevenson, MOA’s Collections Manager, to illustrate unique information about traditional fishing, woodworking, and cordage technologies and to explore cultural resource management issues.

Source note(s)

Display note(s)

Hierarchical terms

From Under the Delta: Wet-Site Archaeology in British Columbia’s Lower Mainland.

From Under the Delta: Wet-Site Archaeology in British Columbia’s Lower Mainland.

Equivalent terms

From Under the Delta: Wet-Site Archaeology in British Columbia’s Lower Mainland.

Associated terms

From Under the Delta: Wet-Site Archaeology in British Columbia’s Lower Mainland.

19 Archival description results for From Under the Delta: Wet-Site Archaeology in British Columbia’s Lower Mainland.

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MOA News: The Newsletter of the UBC Museum of Anthropology, Vol 1. No 3, May 1996

The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, general visitor information, and a list of donors. Subjects include the exhibition From Under the Delta: Wet-Site Archaeology in the Lower Fraser Region of British Columbia, a course about ceramics taught by Carol Mayer at Emily Carr Institute of Art and Design, funding generated by the Anthropology Shop, repatriation of artifacts to the Jacks family of the Tseycum First Nation, funding for two new new multimedia projects by Dr. Marjorie Halpin, and an oral history workshop. Also included are a Calendar of Events and a memorial to Barbara Bethel, UBC/MOA security officer.

MOA News: The Newsletter of the UBC Museum of Anthropology, January-April, 1998

The newsletter contains 7 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the exhibition Recalling the Past: A Selection of Early Chinese Art from the Victor Shaw Collection and MOA's Asian collections, Stó:lō Chief Frank Malloway, events related to the Asia Pacific Economic Cooperation (APEC), MOA's new collections management system, an award of merit granted to the production team of From Under the Delta, the publication of The Potter's Art edited by Carol Mayer, and the launch of a multi-museum admission program called The Great Escapes. Also included is a Calendar of Events.

Interim Annual Report April 1, 1998 - March 31, 1999

The report outlines the museum's activities and finances for the previous fiscal year as well as listing staff, exhibitions, public programming, events, research projects, and publications of the museum and its staff. It introduces the museum's new five-year strategic plan and mission statement. The report was submitted to the Faculty of Arts ahead of the regular annual report.

From Under the Delta: Wet Sight Archaeology in British Columbia’s Lower Mainland

File contains 21 comment books from the exhibit Visible Storage, from April 17, 1996 - January 14, 1998

Dates of comment books:
April 17 – May 22, 1996
May 2 – June 13, 1996
June 13 – July 25, 1996
July 25 – Aug. 16, 1996
Oct. 16 – Nov. 23, 1996
Dec. 15, 1996 – Jan. 13, 1997
Aug. 16 – Oct.16, 1996
Jan. 13 – Feb. 14, 1997
March 11 – April 22, 1997
April 22 – May 2, 1997
June 2 – July 1, 1997
July 29 – Aug. 10, 1997
Aug. 14 – Sep. 3, 1997
Jan. 26 – May 2, 1998
May 3 – June 30, 1998
June 30 – July 19, 1998
July 20 – Aug. 25, 1998
March 18, 1999
July 2 – 23, 1997
Sep. 5 – Oct. 29, 1997
Oct. 8, 1997 – Jan.14, 1998

From Under the Delta Exhibition

Subseries consists of records relating to the “From Under the Delta: Wet-Site Archaeology in the Lower Fraser Region of British Columbia” exhibit installed at the Museum of Anthropology from March 1995 to March 1999. In his capacity as Designer, Skooker Broome worked on the planning, designing, and installation of the exhibit. Records include memoranda, a copyrighted article by Kathryn Bernick, invoices, color photographs, negatives, color slides, contact sheet, exhibit plans, drafts of exhibit captions, photocopy of a newspaper article, correspondence, hand-written notes, budgets, funding application, object summaries, drawings, and publications.