Cultural groups

Mungo Martin painting of Dzunuk'wa in the water with an Octopus

132-1-C-A-a040340
Item
1950

Mungo Martin painting of Dzunuk'wa in the water with an Octopus. Mungo Martin produced this image while convalescing in St. Paul's Hospital in Vancouver as he had fallen ill while restoring totem poles at UBC.

Mungo Martin painting a totem pole

132-1-C-A-a040294
Item
1951

Part of MOA General Media collection

Mungo Martin paints a totem pole.

Mungo Martin painting a totem pole

132-1-C-A-a040285
Item
1950

Part of MOA General Media collection

Mungo Martin paints a totem pole.

Mungo Martin painting a totem pole

132-1-C-A-a040339
Item
1950

Part of MOA General Media collection

Mungo Martin painting a totem pole.

Mungo Martin painting a totem pole

132-1-C-A-a040266
Item
1951

Part of MOA General Media collection

Photograph of Mungo Martin painting a totem pole.

Mungo Martin painting a totem pole

132-1-C-A-a040318
Item
1951

Part of MOA General Media collection

Mungo Martin paints a totem pole. This pole was originally located in Totem Park, but was later moved to the Great Hall at the Museum of Anthropology.

Mungo Martin of Fort Rupert

132-1-C-A-a040326
Item
[197-?]

Part of MOA General Media collection

An introductory text slide reads "Mungo Martin of Fort Rupert, Kwakiutl, Carving at U.B.C. 1950-1951."

Mungo Martin memorial pole before being raised

132-1-C-A-a040353
Item
1970

Part of MOA General Media collection

The Mungo Martin memorial pole being prepared to be raised in Alert Bay.

Mungo Martin in headdress and button blanket

132-1-C-A-a040283
Item
1958

Part of MOA General Media collection

Mungo Martin wearing a headdress and button blanket with a totem pole in the background.

Mungo Martin in a headdress and button blanket

132-1-C-A-a040279
Item
1958

Part of MOA General Media collection

Mungo Martin wearing a headdress and button blanket.

Mungo Martin carving a totem pole

132-1-C-A-a040297
Item
1950

Part of MOA General Media collection

Mungo Martin working on a totem pole.

Mungo Martin carving a totem pole

132-1-C-A-a040278
Item
[195-?]

Part of MOA General Media collection

Mungo Martin carving a totem pole. This photograph appeared in later editions of "Monuments in Cedar" by Edward L Keithahn. It appears on page 112 of the 1963 edition.

Mungo Martin and Charles Docherty working on a totem pole

132-1-C-A-a040271
Item
1950

Part of MOA General Media collection

Mungo Martin and Charles Docherty working on a totem pole. Charles Docherty, a carpenter, was hired as his assistant. The pole in the background was originally carved by Charlie James and was later restored by Mungo Martin. It stood in Totem Park at UBC until it was moved to the Great Hall of the Museum of Anthropology.

Mungo Martin and Charles Docherty working on a totem pole

132-1-C-A-a040275
Item
1950

Part of MOA General Media collection

Mungo Martin and Charles Docherty working on a totem pole. Charles Docherty, a carpenter, was hired as his assistant.

Mungo Martin and Charles Docherty working on a totem pole

132-1-C-A-a040286
Item
1950

Part of MOA General Media collection

Mungo Martin and Charles Docherty working on a totem pole. Charles Docherty, a carpenter, was hired as his assistant. The pole in the background was carved by Charlie James and was restored by Mungo Martin. It stood in Totem Park at UBC until it was moved to the Great Hall of the Museum of Anthropology.

Mungo Martin and Charles Docherty working on a totem pole

132-1-C-A-a040345
Item
1950

Part of MOA General Media collection

Mungo Martin and Charles Docherty working on a totem pole. Docherty, a carpenter, was hired as Martin's assistant for restoring totem poles at UBC.

Mungo Martin and Charles Docherty working on a totem pole

132-1-C-A-a040265
Item
1950

Part of MOA General Media collection

Photograph of Mungo Martin working on a totem pole. Charles Docherty, a carpenter, was hired as his assistant. This pole was originally carved by Charlie James and was later restored by Mungo Martin. It stood in Totem Park at UBC until it was moved to the Great Hall of the Museum of Anthropology.