- 92-1-a034500
- Item
- [ca. 1964 - 1967]
Parte de Virginia Kehoe fonds
Image depicts Douglas Cranmer in the process of carving a pole. The early cuts are made with a chain saw.
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Parte de Virginia Kehoe fonds
Image depicts Douglas Cranmer in the process of carving a pole. The early cuts are made with a chain saw.
Parte de Virginia Kehoe fonds
Image depicts Doug Cranmer using a jack to raise the end of a large tree trunk.
Parte de Virginia Kehoe fonds
Image depicts carver Doug Cranmer using a chain saw to make early cuts on a pole.
Parte de Virginia Kehoe fonds
Image depicts Doug Cranmer preparing to make a rubbing image (using kraft paper and crayon) of the carving on a totem pole. Another person, possibly Godfrey Hunt, assists by holding the paper.
Parte de Virginia Kehoe fonds
Image depicts a partially carved totem pole resting on the ground. Doug Cranmer is visible in the lower left corner of the image; another carver works on the pole. A can of paint is visible, but not in use.
Inspecting a partially carved pole
Parte de Virginia Kehoe fonds
Image depicts Doug Cranmer and another carver, possibly Godfrey Hunt, with a partially carved pole. A man and a woman observe the work.
Finished pole ready for transport
Parte de Virginia Kehoe fonds
Image depicts a completed pole, wrapped and enclosed in a wooden frame, ready for transport. Image appears to have been taken at a loading dock.
Parte de Virginia Kehoe fonds
Image depicts three carvers working on a totem pole. The centre carver is Doug Cranmer; the man on Cramner's right may be Godfrey Hunt. A woman works, possibly sanding, image right.
Parte de Virginia Kehoe fonds
Image depicts a partially carved canoe outdoors with Godfrey Hunt and Douglas Cranmer sitting as the canoe is filled with water from a hose.
Parte de Virginia Kehoe fonds
Image depicts a partially completed canoe, viewed from the side.
Unfinished canoe, closeup view
Parte de Virginia Kehoe fonds
Image depicts a partially completed canoe, viewed from close up so that the grain of the wood is visible.
Parte de Virginia Kehoe fonds
Image depicts Douglas Cranmer with a partially finish canoe filled with water. He seems to be measuring, and possibly preparing to stretch the canoe's interior to make it wider.
Parte de Virginia Kehoe fonds
Image depicts a a closeup view of a carving. It is unfinished, and marks on the wood are visible.
Parte de Virginia Kehoe fonds
Image depicts a carver working on some kind of a large carving.
Tallest totem pole, carved by Mungo Martin, Beacon Hill Park, Victoria, B.C.
Parte de E. Polly Hammer fonds
Parte de E. Polly Hammer fonds
This pole was on display at UBC in Totem Park in the 1960’s and 1970’s and moved to the Museum in the late 1970’s. It was carved in 1914 in Tsaxis (Fort Rupert) by George Hunt Sr. for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was collected by Marius Barbeau and Arthur Price in 1947. The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Iconography: Kolus is a young thunderbird. Thunderbird is a supernatural bird identifiable by the presence of ear-like projections or horns on the head, and a re-curved beak. The pole alludes to the story of Tongas people in south Alaska, who migrated south.
Kwakiutl, new Mungo Martin pole #1, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
Carved by Mungo Martin 1951. Erected in UBC Totem Park. Moved to MOA in 1970’s but not erected in Great Hall until 2012 after repairs.
Parte de Missionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of a totem with a building in the background and a boat in the foreground with low tide. Based on the original order of the collection, photograph might have been taken in Alert Bay.
Parte de Missionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of a street with five totems. According to annotations, photograph was taken in Alert Bay.
Staff research, publications and productions
Parte de Audrey Hawthorn (MOA Curator) fonds
Subseries consists of material produced by museum staff, among them Wilson Duff, Harry and Audrey Hawthorn, Marjorie Halpin, and Gloria Cranmer Webster. There is extensive material on Audrey Hawthorn’s Art of the Kwakiutl Indians. Included in this subseries are ca. 2000 photographs which were collected for possible use in this book. Photographs are numbered A38-A17206 with many numbers missing throughout. The majority of photographs are of wooden masks, but they are also of bowls, bentwood boxes, paddles, rattles, totem poles, talking sticks, headdresses and frontlets, wooden figures and miniatures, whistles, spoons, silver bracelets, argillite carvings, button blankets, chilkat blankets, cedar head and neck rings, woodworking tools, stone tools, and fish hooks. Other record forms included in this subseries include correspondence, notes and published materials.