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Thomas Laurie and Mildred Laurie were a married couple who managed the B.C. Packers general store in Alert Bay for many years. Their daughters Leslie and Cathie attended the first local integrated school there in the 1950s, and their son Tom was born in Alert Bay in 1962. After leaving Alert Bay in 1964 the family moved to Powell River, where Thomas and Mildred ran the Columbia Store, and then to Ocean Falls, where they managed the mill store. The Lauries later relocated to Kitimat and then to Prince George, where they ran a motel for 22 years.

Victoria Yip joined the Chinese Times in Vancouver in 1929 and was responsible for local Vancouver and Canadian news. She was also the part-time editor for the cultural and literary columns and she later assumed the role of Advertising Manager.

No biographical information available.

Lynn Hill was curator-in-residence at the Museum of Anthropology at the University of British Columbia from ca. 1998-2000, and curated the exhibit “Raven’s Reprise” (January 2000-January 2001). She is a member of the Iroquois Confederacy from the Six Nations of the Grand River and was born in Hamilton, Ontario. Hill has curated various contemporary First Nations art exhibitions, including The Traveling Alter Native Medicine Show (Vancouver, 1999), LICK (Toronto, 1997), Godi’nigoha’: The Woman’s Mind (Brantford, 1997), and AlterNative: Contemporary Photo Compositions (Toronto/Ottawa, 1995-1996). She is a founding member of the artist collective LICK and of the ALA curatorial collective.

Kersti Krug is a researcher and writer in the field of non-profit management, and a former Director of Communications and Manager of Research and Evaluation at the Museum of Anthropology (MOA) at the University of British Columbia (UBC).

Before joining MOA, Krug was Senior Personnel Advisor to the Auditor General of Canada (1980) and Assistant Director of the National Gallery of Canada (1980-1988). Between 1991 and 1997, she worked for the UBC Faculty of Commerce and Business Administration as a researcher, instructor, and Acting Director of the Arts Administration Option.

In 1990, Krug began work at MOA. Her first position at MOA was Director of Communications (1990-1998); subsequently, she occupied the roles of Manager of Research and Evaluation (1998-2001) and director of the Certificate in Museum Studies program (1997-1998). Her work at MOA involved program development and organizational change management. Major projects included creating marketing projects, conducting visitor studies, co-creation and development of the Certificate in Museum Studies program, project management for the expansion of the MOA building, developing business plans, and grant writing.

During this period, Krug was also director of studies for an interdisciplinary graduate program in critical curatorial studies in the Faculty of Arts (1998-2001). After leaving MOA in 2001, Krug joined the Faculty of Graduate Studies as Assistant Dean, Strategic Planning and Communications (2001-2006). She was instrumental in the 2007 founding of the College for Interdisciplinary Studies, of which she became Assistant Principal, Strategic Development and Administration. Krug retired form this position in 2009 to work as a consultant.

Krug completed her MBA at UBC in 1990, and in 1999 received her PhD from UBC’s Individual Interdisciplinary Studies Graduate Program. Her thesis on managing administrative change in MOA is entitled “A hypermediated ethnography of organizational change: conversations in the Museum of Anthropology.”

Alfred James Hanuse was born in Alert Bay to hereditary Chief Harry Hanuse and Mary Deborah Charlie. His siblings included: Lucy Marion (Adawis) Hanuse, Annie Laura Hanuse, George Harry Hanuse, Alice Ethel Hanuse, Alexander Hanuse, Daniel Edgar Hanuse, Frederick Clarence Hanuse, Florence Eleanor Hanuse, Wilfred Hanuse, and Stella Mae Hanuse. Alfred married Mary Hanuse (nee Alfred) and Alfred James (Jack) Hanuse on February 22, 1935. From: https://issuu.com/umista/docs/winter_2012

Alver Tait is a Nisga’a (Gitlaxdamix) carver and hereditary Chief of the Eagle-Beaver clan. Tait carved many poles raised in the Nass Valley and assisted with the carving of two red cedar canoes in 1980, with his brother Norman Tait who taught him to carve. He also worked with Norman on the Beaver Pole that was raised at the Field Museum in Chicago. In recognition of his craftsmanship, Tait was selected by the City of Vancouver to carve a Nisga’a Eagle bowl, which was later presented to Queen Elizabeth II. He was also asked by the British Museum to restore a pole carved in the 1860s, which was originally a monument to his great-great grandfather, Luuya’as, carrying the Eagle-Beaver crest image. In 2006, he received the Order of British Columbia.

Chief Mungo Martin or Nakapenkem (lit. Potlatch chief "ten times over"), Datsa (lit. "grandfather"), was an important figure in Northwest Coast style art, specifically that of the Kwakwaka'wakw Aboriginal people who live in the area of British Columbia and Vancouver Island. He was a major contributor to Kwakwaka'wakw art, especially in the realm of wood sculpture and painting. He was also known as a singer and songwriter.

Mungo Martin was an important figure in the early history of the Museum of Anthropology. In 1950 and 1951 he worked for the University of British Columbia restoring and carving totem poles. These later stood in Totem Park at UBC and some were later moved into the great hall in the Museum of Anthropology. After this time he is best known for his work at Thunderbird Park in Victoria, where he helped to carve many of the totem poles and house posts that now stand in the park. He worked with several artists who became well-known including Bill Reid, Doug Cranmer, and Henry Hunt.

Chief William Jeffrey was a hereditary Tsimshian Chief, born in 1899 near Lax Kw'alaams, British Columbia. Alongside Chief William Beynon and two others, he co-founded the Native Brotherhood of British Columbia in 1931. In 1940 he appeared before the House of Commons to advocate improvements to Indigenous education, the recognition of Indigenous rights, and the decriminalization of the potlach. In 1953 Jeffrey became a minister of Jehovah's Witnesses. Jeffrey began carving totem poles and replicas in 1960.

Governor General of Canada from January 14, 1974 - January 22, 1979.

Canadian politician, in office 1965 - 1979.

President of UBC, 1975 - 1983.

Mrs. Yau Chan Shek-ying was born in 1923 in Sheung Kwai Chung village, Tsuen Wan, Hong Kong. She was married at the age of 12, to Yau Shui-cheung, of Kwan Mun Hau village, Tsuen Wan. After her marriage she did heavy manual labour, such as going up into the mountains to cut grass and pine branches for fuel, farming the family's fields and raising pigs, and earning wages for the family by carrying kerosene and other heavy materials at the Texaco Oil Depot. It was during this heavy labour that Mrs. Yau learned mountain songs, both learned from other women and improvised. In 1976 and 1984, Mrs. Yau sang these songs to be recorded by Canadian anthropologist Elizabeth Lominska Johnson. She had eight children, several of which immigrated to Canada. Mrs. Yau began suffering serious health problems in early middle age, for which she was required to undergo kidney surgery. In the 1990s her health declined, and she passed away in 1996.

Minn Sjolseth was born on November 4, 1919 in Oksendahl, Norway. Sjolseth started to draw and paint in early childhood, and began her formal artistic training in Norway and in Germany where she studied the Old Masters. In 1953, Sjolseth emigrated to Canada and continued her studies at the Regina School of Fine Arts with Kenneth Lockheed. She also studied graphic art at San Miguel de Allende Art Institute in Mexico.

Sjolseth settled in Vancouver, BC in 1957, where she opened a commercial gallery and began her career as a portrait artist. During this time, she also had two children, Laila and Fred Johnsen. In 1967 she closed the gallery and focused her artistic practice on documenting Indigenous peoples and their cultural productions in a realist tradition. In 1968, Sjolseth married the photographer and journalist Anthony Carter. Out of their travels to First Nations communities along the coast of British Columbia and Alaska throughout the 1960s and 1970s, Sjolseth produced a number of landscape and portrait paintings as part of her "North West Coast Native" series, while Carter undertook work for his books. In 2009, the Kamloops Art Gallery held an exhibition entitled "Somewhere Between" which explored Minn Sjolseth's and Anthony Carter's artistic partnership during this period.

In 1974, Sjolseth had the opportunity to travel to Arctic Norway and work with the reindeer-herding Lapps (also known as Sami people) to create a series of paintings called "Reflection of Lapland" which was shown at the Frye Art Museum in Seattle, among other institutions. In July 1977, she was selected as the only professional artist to be a member of the media accredited to the visit of H.R.H The Prince of Wales to Southern Alberta to commemorate the Centennial of the signing of Treaty 7. Sjolseth's work has been exhibited in juried group shows in Canada and the United States, as well as international solo exhibitions. Her paintings are in several international collections, including the collections of the Crown Prince Harald of Norway.

Sjolseth and Carter moved to the Kamloops area of British Columbia in 1980, first living at Pinantan Lake and later at Lac Le Jeune. She continued painting, creating the "British Columbia Interior" series, while also pursuing cross-country marathon skiing competitively.

Sjolseth died suddenly in a car accident in Lac Le Jeune on November 7th, 1995.